Beyond Good and Evil
Mei 2004 · 1st World Publishing
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1. The Will to Truth, which is to tempt us to many a hazardous enterprise, the famous Truthfulness of which all philosophers have hitherto spoken with respect, what questions has this Will to Truth not laid before us! What strange, perplexing, questionable questions! It is already a long story; yet it seems as if it were hardly commenced. Is it any wonder if we at last grow distrustful, lose patience, and turn impatiently away? That this Sphinx teaches us at last to ask questions ourselves? WHO is it really that puts questions to us here? WHAT really is this "Will to Truth" in us? In fact we made a long halt at the question as to the origin of this Will - until at last we came to an absolute standstill before a yet more fundamental question. We inquired about the VALUE of this Will. Granted that we want the truth: WHY NOT RATHER untruth? And uncertainty? Even ignorance? The problem of the value of truth presented itself before us - or was it we who presented ourselves before the problem? Which of us is the Oedipus here? Which the Sphinx? It would seem to be a rendezvous of questions and notes of interrogation. And could it be believed that it at last seems to us as if the problem had never been propounded before, as if we were the first to discern it, get a sight of it, and RISK RAISING it? For there is risk in raising it, perhaps there is no greater risk.
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The son of a Lutheran pastor, Friedrich Wilhelm Nietzsche was born in 1844 in Roecken, Prussia, and studied classical philology at the Universities of Bonn and Leipzig. While at Leipzig he read the works of Schopenhauer, which greatly impressed him. He also became a disciple of the composer Richard Wagner. At the very early age of 25, Nietzsche was appointed professor at the University of Basel in Switzerland. In 1870, during the Franco-Prussian War, Nietzsche served in the medical corps of the Prussian army. While treating soldiers he contracted diphtheria and dysentery; he was never physically healthy afterward. Nietzsche's first book, The Birth of Tragedy Out of the Spirit of Music (1872), was a radical reinterpretation of Greek art and culture from a Schopenhaurian and Wagnerian standpoint. By 1874 Nietzsche had to retire from his university post for reasons of health. He was diagnosed at this time with a serious nervous disorder. He lived the next 15 years on his small university pension, dividing his time between Italy and Switzerland and writing constantly. He is best known for the works he produced after 1880, especially The Gay Science (1882), Thus Spake Zarathustra (1883-85), Beyond Good and Evil (1886), On the Genealogy of Morals (1887), The Antichrist (1888), and Twilight of the Idols (1888). In January 1889, Nietzsche suffered a sudden mental collapse; he lived the last 10 years of his life in a condition of insanity. After his death, his sister published many of his papers under the title The Will to Power. Nietzsche was a radical questioner who often wrote polemically with deliberate obscurity, intending to perplex, shock, and offend his readers. He attacked the entire metaphysical tradition in Western philosophy, especially Christianity and Christian morality, which he thought had reached its final and most decadent form in modern scientific humanism, with its ideals of liberalism and democracy. Nietzsche expounded a vitalistic metaphysics of the will to power, which he applied psychologically to undermine traditional conceptions of mind as well as moral, religious, and philosophical ideas. At the same time he attacked systematic thinking as a whole, maintaining the nihilistic view that there is no such thing as truth, but only an endless variety of equally false views of life held from variously interested perspectives. Although for a long time English-speaking academic philosophy tended to dismiss Nietzsche's philosophy as irresponsible (merely "literary"), it has become increasingly clear that his writings are among the deepest and most prescient sources we have for acquiring a philosophical understanding of the roots of twentieth-century culture.
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