Bullets for Macbeth

· The Hilary Quayle Mysteries Ibhuku elingu-3 · Open Road Media
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Izilinganiso nezibuyekezo aziqinisekisiwe  Funda Kabanzi

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DIVHilary takes on a pair of mysteries—one fictional, and one all too real/divDIV
In college, Hilary Quayle dreamed of the stage, and playing all the great leading ladies that Shakespeare had to offer. But her interest was due less to the Bard than to another man: director, actor, and theatrical personality Michael Godwin. And though she got her wish, she found that acting onstage and romancing backstage did not add up to happiness. A decade past college, she’s now a publicity wizard and occasional sleuth, but still nursing enough of a schoolgirl crush to help Michael Godwin when he calls./divDIV /divDIVThe director is in New York to stage a spectacular, arena-sized Macbeth, one that will answer the centuries-old question: Who is the mysterious third murderer who appears in Act III? When accidents begin to plague the production, Godwin and his company chalk it up to the play’s curse. But when a real murderer enters the scene, only Hilary Quayle can guarantee a happy ending. /div

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DIVMarvin Kaye (b. 1938) is the author of more than forty books. Born in Philadelphia, he attended college at the University of Pennsylvania, graduating with advanced degrees in theater and English literature. After reporting for the national newspaper Grit for several years, he moved to New York City and found work in publishing. He published his first nonfiction book, The Histrionic Holmes, in 1971, and followed it with the mystery novel A Lively Game of Death (1972), which introduced sleuthing public relations agent Hilary Quayle, Kaye’s most famous character. /divDIV /divIn addition to five Quayle novels, Kaye has written and edited dozens of works of fiction and nonfiction. He is also one of the founders of the Open Book, New York City’s oldest continuously operating reading theater. In 2010, the theater produced Kaye’s Mister Jack, a comedy about Don Juan. Before his retirement, Kaye taught creative writing at New York University, and regularly performed improvised comedy at the Jekyll & Hyde Club.      

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