Children of the Mist: England Literature
Eden Phillpotts
2016. g. janv. · England Literature 15. grāmata · 谷月社
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CHAPTER I. THE PIXIES’ PARLOUR
Phoebe Lyddon frowned, and, as an instant protest, twin dimples peeped into life at the left corner of her bonny mouth. In regarding that attractive ripple the down-drawn eyebrows were forgotten until they rose again into their natural arches. A sweet, childish contour of face chimed with her expression; her full lips were bright as the bunch of ripe wood-strawberries at the breast of her cotton gown; her eyes as grey as Dartmoor mists; while, for the rest, a little round chin, a small, straight nose, and a high forehead, which Phoebe mourned and kept carefully concealed under masses of curly brown hair, were the sole features to be specially noted about her. She was a trifle below the standard of height proper to a girl of nineteen, but all compact, of soft, rounded lines, plump, fresh of colour, healthy, happy, sweet as a ripe apple.
From a position upon swelling hillsides above the valley of a river, she scanned the scene beneath, made small her eyes to focus the distance, and so pursued a survey of meadow and woodland, yet without seeing what she sought. Beneath and beyond, separated from her standpoint by grasslands and a hedge of hazel, tangled thickets of blackthorn, of bracken, and of briar sank to the valley bottom. Therein wound tinkling Teign through the gorges of Fingle to the sea; and above it, where the land climbed upward on the other side, spread the Park of Whiddou, with expanses of sweet, stone-scattered herbage, with tracts of deep fern, coverts of oak, and occasional habitations for the deer.
Phoebe Lyddon frowned, and, as an instant protest, twin dimples peeped into life at the left corner of her bonny mouth. In regarding that attractive ripple the down-drawn eyebrows were forgotten until they rose again into their natural arches. A sweet, childish contour of face chimed with her expression; her full lips were bright as the bunch of ripe wood-strawberries at the breast of her cotton gown; her eyes as grey as Dartmoor mists; while, for the rest, a little round chin, a small, straight nose, and a high forehead, which Phoebe mourned and kept carefully concealed under masses of curly brown hair, were the sole features to be specially noted about her. She was a trifle below the standard of height proper to a girl of nineteen, but all compact, of soft, rounded lines, plump, fresh of colour, healthy, happy, sweet as a ripe apple.
From a position upon swelling hillsides above the valley of a river, she scanned the scene beneath, made small her eyes to focus the distance, and so pursued a survey of meadow and woodland, yet without seeing what she sought. Beneath and beyond, separated from her standpoint by grasslands and a hedge of hazel, tangled thickets of blackthorn, of bracken, and of briar sank to the valley bottom. Therein wound tinkling Teign through the gorges of Fingle to the sea; and above it, where the land climbed upward on the other side, spread the Park of Whiddou, with expanses of sweet, stone-scattered herbage, with tracts of deep fern, coverts of oak, and occasional habitations for the deer.
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Eden Phillpotts (4 November 1862 – 29 December 1960) was an English author, poet and dramatist. He was born in Mount Abu, British India, educated in Plymouth, Devon, and worked as an insurance officer for 10 years before studying for the stage and eventually becoming a writer.
He co-wrote two plays with his daughter Adelaide Phillpotts, The Farmer's Wife (1924) and Yellow Sands (1926); but is best known as the author of many novels, plays and poems about Dartmoor. His Dartmoor cycle of 18 novels and two volumes of short stories still has many avid readers despite the fact that many titles are out of print.
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