Chorale
Sept. 2011 · Hachette UK
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Kemper had the answer; Reuter had the problem. Kemper had figured it all out by the twenty-second century; he was a man of temporal science. The past did not exist. The past upon which the present was based had no credence unless it could be reconstructed, bit by tiny bit. Surrogates would have to go back in time and become the cast of thousands. Napoleon was needed; likewise the Kennedys, all four of them.
There were those who would have taken argument with Kemper, but Kemper, unfortunately, was beyond dispute; in other words he, like all the other famous and infamous, was dead. Reuter's problem was that he had gone back to Vienna in the early 1800s to be Beethoven. Beethoven, Reuter has decided, was a disgusting man. Someone must listen - don't they realise that it was all a fraud?
There were those who would have taken argument with Kemper, but Kemper, unfortunately, was beyond dispute; in other words he, like all the other famous and infamous, was dead. Reuter's problem was that he had gone back to Vienna in the early 1800s to be Beethoven. Beethoven, Reuter has decided, was a disgusting man. Someone must listen - don't they realise that it was all a fraud?
Autoren-Profil
Barry N. Malzberg (1939-2024) Barry N. Malzberg was an American writer, editor and agent, whose prolific career has spanned numerous genres - most notably crime and science fiction. Malzberg was particularly active in the science fiction scene of the early seventies, although he became disillusioned with the market forces defining the field, and rarely published SF works thereafter, turning his attention to writing advice columns for authors in the quarterly magazine of the Science Fiction and Fantasy Writers of America. Barry N. Malzberg has been shortlisted for numerous awards, including the Hugo, Nebula and Philip K. Dick.
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