Although modern western female beauty systems are routinely demystified and contested today, the purveyors of culture that support them—institutional, intellectual, artistic, commercial, and popular—continue as they always have to construe women as objects of male desire. Still, within this basic structure, the systems have varied greatly across time and space, with women using beauty as a form of social capital in widely differing ways. Moreover, as individuals have begun to experience their bodies as malleable and endlessly transformable, rather than unruly and unyielding, many have begun to experience beauty less as a given and more as a project. The nine essays collected here examine a number of different Western female beauty systems over the centuries, considering how women have complied with, contributed to, profited or suffered from, and resisted them.
Tracy Adams is Associate Professor of French at the University of Auckland, New Zealand. A specialist in medieval and early modern French literature, she is the author of Violent Passions: Managing Love in the Medieval French Romance (2005), The Life and Afterlife of Isabeau of Bavaria (2010) and Christine de Pizan and the Fight for France (2014).