Complete Irish Flute Book

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· Mel Bay Publications
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Om den här e-boken

While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation! This thorough guide provides detailed fingering charts, exercises, and technical essays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This book focuses not only on musical accuracy, but stylistic authenticity as well. The companion audio download available online contains 26 of the 101 tunes from the book.

Om författaren

Gilliam is an attorney who specializes in the area of entertainment law and intellectual property law (including copyright and multimedia). She has shared her legal expertise through classes in legal aspects of the music business and multimedia law. Dona Gilliam is recognized as a leading writer of flute pedagogy materials. Her Flutist's Companion has become a standard text for the developing player, and her collections of solo materials for the instrument are popular as solo and contest literature. Her works have been featured at the National Flute Association, and by recitalists at contemporary festivals throughout the country. For over 25 years Gilliam has overseen the design, manufacture, and distribution of a six-holed vertical fipple flute (tin whistle) known as the Pocket Companion. The instrument has been distributed internationally and is a favorite of Celtic instrumentalists and classroom teachers alike. Dona continues to promote the whistle as one of the most viable folk instruments of our time. Her numerous classroom and instructional books for the whistle and other folk flutes are published by Mel Bay Publications, Inc. of Pacific, Missouri. Mel Bay Publications is a world-leading publisher of print music in the acoustic and folk tradition. Professor Gilliam received her Bachelor of Music from Louisiana State University, Baton Rouge and her master's in music (Composition) and Juris Doctorate of Law from the University of Kentucky, Lexington.

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