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Often we marvel at the apparent serenity and spiritual confidence of ancient people, forgetting that their tools were taught and used within an environment that encouraged them to recognize and embrace natural and divine forces. These tools enabled one to maintain a profound sense of cosmic orientation, keep it, and view one's role as actual spiritual work. In ancient Egypt, a man named Al was gifted with a sense of cosmic orientation.
As dams have been constructed in our era, the Nile no longer produces an annual flood, but understanding the rhythm of that event and others associated with it is essential to understanding Egyptian rituals and ceremonies. To restore cosmic orientation, we need to leave our temporal field of time and enter the visible universe of ancient Egypt, where cosmic rhythms sustained human life, nature, and even the gods.
For Egyptians, both secular and spiritual matters were governed by the concept of time. Even though the gods' realms (Neheh) were considered eternal, they were also continuous and manifested in cycles. According to cosmic life's ebbs and flows, gods appeared at different times but were lasting and constant. Through the medium of heavenly bodies, events take place in linear time (Djet) and according to the ebb and flow of cosmic life. The three dimensions of cosmic activity were thought to be formed by three distinct rhythms, the lunar, solar, and stellar.
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Asher Benowitz is a proud Ashkenazi Jewish Historian and author living in the Rhineland Valley. A Distinguished Independent Egyptologist, he has worked in Turkey, Sudan, Greece, and the United States. He obtained his MPhil in museology and Egyptian archaeology and his PhD in Egyptian archaeology after double majoring in history and classical studies. As he is currently prohibited from entering Egypt due to his religion, he has also participated in several other archaeological missions throughout Egypt under various aliases. He is determined to Publish books on Ancient Egypt in the face of Advserity. He has delivered lectures on his work internationally and published in both scholarly and popular journals. In addition, he has been featured in several media outlets.
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