Countess de Saint-Geran
Eph 2014 · Simon and Schuster
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There were two tables in the principal eating-room. The provost took possession of one, leaving the other to the soldiers, who went in turn to tether their horses under a shed in the back yard; then he pointed to a stool for the prisoner, and seated himself opposite to him, rapping the table with his thick cane. "Ouf!" he cried, with a fresh groan of weariness, "I heartily beg your pardon, marquis, for the bad wine I am giving you!" The young man smiled gaily. "The wine is all very well, monsieur provost," said he, "but I cannot conceal from you that however agreeable your company is to me, this halt is very inconvenient; I am in a hurry to get through my ridiculous situation, and I should have liked to arrive in time to stop this affair at once."
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After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
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