The Canzoniere of Dante Alighieri, Including the Poems of the Vita Nuova and Convito, Italian and English

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Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology. His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently. The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife. In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321. Lyell was born in Kinnordy, Scotland. His father was a naturalist, and Lyell grew up surrounded by books on natural history, geology, and other sciences. He entered Oxford University at the age of 19 after a boarding-school education that was periodically interrupted by poor health. There his interest in geology was heightened. Although he studied law, he gave up legal work to study rocks and fossils. His contribution to geology is twofold. First, he showed that the earth is constantly changing, not by a series of worldwide catastrophes followed by new creations, but by slow, gradual processes. Like James Hutton, he believed and taught that present-day processes were the ones that shaped the past. It was the worldwide publication of Lyell's treatises and texts that led to the general acceptance of the principle of uniformitarianism, first put forth by Hutton. Second, Lyell contributed the principle of faunal succession and the notion of the time sequence of events. These were evidenced from spatial relationships among strata, faults, and intrusions. The data on which Lyell's contributions are based were gathered on numerous field excursions, most notably in southern Europe, the United States, and Canada. During these trips, Lyell collected numerous samples that he and his wife meticulously categorized and labeled. His writings show that he was also interested in, and concerned about, human problems, as well as problems of science. He touches upon social reforms in England and the problems of slavery in the United States. Lyell was a prolific writer, summarizing his thoughts, contributions, and achievements in these major works: "Principles of Geology" (1830, 1831, 1833), "Antiquity of Man," and "Travels in America." His health and strength declined after the death of his wife in 1873, and he died two years later. He was buried in Westminster Abbey.

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