Derues
Abr 2014 · Simon and Schuster
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94
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One September afternoon in 1751, towards half-past five, about a score of small boys, chattering, pushing, and tumbling over one another like a covey of partridges, issued from one of the religious schools of Chartres. The joy of the little troop just escaped from a long and wearisome captivity was doubly great: a slight accident to one of the teachers had caused the class to be dismissed half an hour earlier than usual, and in consequence of the extra work thrown on the teaching staff the brother whose duty it was to see all the scholars safe home was compelled to omit that part of his daily task. Therefore not only thirty or forty minutes were stolen from work, but there was also unexpected, uncontrolled liberty, free from the surveillance of that black-cassocked overseer who kept order in their ranks. Thirty minutes at that age it is a century, of laughter and prospective games Each had promised solemnly, under pain of severe punishment, to return straight to his paternal nest without delay, but the air was so fresh and pure, the country smiled all around The school, or preferably the cage, which had just opened, lay at the extreme edge of one of the suburbs, and it only required a few steps to slip under a cluster of trees by a sparkling brook beyond which rose undulating ground, breaking the monotony of a vast and fertile plain
Tungkol sa may-akda
After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
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