Doctor Who: The Crawling Terror (12th Doctor novel)
set. de 2014 · Random House
4,7star
19 avaliaçõesreport
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"Well, I doubt you'll ever see a bigger insect."
Gabby Nichols is putting her son to bed when she hears her daughter cry out. 'Mummy, there's a daddy longlegs in my room!'. Then the screaming starts ... Kevin Alperton is on his way to school when he is attacked by a mosquito. A big one. Then things get dangerous.
But it isn't the dead man cocooned inside a huge mass of web that worries the Doctor. It isn't the swarming, mutated insects that make him nervous.
With the village cut off from the outside world, and the insects becoming more and more dangerous, the Doctor knows that unless he can decode the strange symbols engraved on an ancient stone circle, and unravel a mystery dating back to the Second World War, no one is safe.
Gabby Nichols is putting her son to bed when she hears her daughter cry out. 'Mummy, there's a daddy longlegs in my room!'. Then the screaming starts ... Kevin Alperton is on his way to school when he is attacked by a mosquito. A big one. Then things get dangerous.
But it isn't the dead man cocooned inside a huge mass of web that worries the Doctor. It isn't the swarming, mutated insects that make him nervous.
With the village cut off from the outside world, and the insects becoming more and more dangerous, the Doctor knows that unless he can decode the strange symbols engraved on an ancient stone circle, and unravel a mystery dating back to the Second World War, no one is safe.
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4,7
19 avaliações
Sobre o autor
Mike Tucker is an author specialising in books for children and young adults, and has written several original ‘Doctor Who’ novels, a number of ‘Merlin’ novelisations, and original fiction for other shared universes. He has also written numerous factual books relating to film and television, including a history of the BBC’s Visual Effects Department, where he used to work.
Alongside his writing, Mike works as a Visual Effects Designer, and his company - The Model Unit - recently won a BAFTA Craft Award for its miniature effects work on the 50th anniversary ‘Doctor Who’ episode ‘The Day of the Doctor’
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