Dostoevsky by Zweig

· Plunkett Lake Press
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This is the third essay of Stefan Zweig’s Three Masters: Balzac, Dickens, Dostoevsky, written in the early 20th century. Part biography, part literary criticism, part cultural history, the essay offers a window onto how a Central European regarded the Russian master, who died in 1881, the year Zweig was born.


Dostoevsky’s genius, in Zweig’s view, owed a debt to his illness, as Tolstoy’s did to his radiant health. Illness “enabled Dostoevsky to soar upward into a sphere of such concentrated feeling as is rarely experienced by normal men; it permitted him to penetrate into the underworld of the emotions, into the submerged regions of the psyche.”


This essay is one of the best examples of Zweig’s psychologically-informed literary criticism.

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Stefan Zweig (1881-1942) was the most widely read German-language author of the twentieth century. Zweig was a secular Jew, a Pan-European and a pacifist. He was born in Vienna on November 28, 1881 and studied there and in Berlin. As a young man, he translated French poetry by Verlaine, Baudelaire, and Verhaeren into German. He quickly branched out into journalism, fiction, biography and writing for the theater. His plays, including the anti-war Jeremiah, were produced throughout Europe. His books were eventually translated into over 50 languages. Today, he is best known for his many works of non-fiction. They include the classic memoir The World of Yesterday and many biographical essays on famous writers and thinkers such as Erasmus, Tolstoy, Balzac, Stendhal, Nietzsche,Dostoevsky, Dickens, Freud and Mesmer. He lived in Salzburg with his first wife Friderike until 1933, when his books were burned by the Nazis. In 1934, he emigrated to England where he continued writing and met his second wife Lotte Altmann. In 1941, the couple moved to Brazil where they committed suicide in 1942.

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