Drysalter
Apr 2013 · Random House
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Winner of the 2013 Forward Poetry Prize for Best Collection
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2013 Costa Poetry Award
Shortlisted for the 2015 Portico Prize
In an innovative digital first for Cape poetry, hear Michael Symmons Roberts read the entirity of his prize-winning collection, Drysalter and introduce the ideas behind the poetry.
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.
Shortlisted for the 2013 T. S. Eliot Poetry Prize
Shortlisted for the 2013 Costa Poetry Award
Shortlisted for the 2015 Portico Prize
In an innovative digital first for Cape poetry, hear Michael Symmons Roberts read the entirity of his prize-winning collection, Drysalter and introduce the ideas behind the poetry.
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines.
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul.
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality.
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.
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Michael Symmons Roberts was born in Preston, Lancashire in 1963. His books of poetry have won many awards including the Forward Prize and the Costa Poetry Award for Drysalter (2013) and the Whitbread Poetry Prize for Corpus (2004). His Selected Poems was published by Cape in 2016. As a librettist, his work with composers has been performed in concert halls and opera houses around the world. The Sacrifice (for Welsh National Opera) with composer James MacMillan, won an RPS Award, and choral works Elliptics (for BBC Philharmonic) and The Anvil (for Manchester International Festival) with composer Emily Howard, were both nominated for Ivor Novello Awards. His non-fiction book Edgelands (with Paul Farley, 2011) won the Foyles Book of Ideas Award and the Jerwood Prize. He is an award-winning broadcaster and dramatist, Professor of Poetry at Manchester Metropolitan University and a Fellow of the Royal Society of Literature.
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