Dodo's Daughter: Top Novelist Focus
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Nadine Waldenech's bedroom was a large square apartment on the ground floor at her mother's cottage at Meering in North Wales. It was rather a large cottage, for it was capable of holding about eighteen people, but Dodo was quite firm in the subject of its not being a house. In the days when it was built, forty years ago, this room of Nadine's had been the smoking-room, but since everybody now smoked wherever he or she chose, which was mostly everywhere, just as they breathed or talked wherever they chose, Nadine with her admirable commonsense had argued uselessness of a special smoking-room, for she wanted it very much herself, and her mother had been quite convinced. It opened out of the drawing-room, and so was a convenient place for those who wished to drop in for a little more conversation after bed-time had been officially proclaimed. Bed-time, it may be remarked, was only officially proclaimed in order to get rid of bores, who then secluded themselves in their tiresome chambers.
The room at this period was completely black with regard to the color of carpet and floor and walls and ceiling. That was Nadine's last plan and since it was the last, of necessity, a very recent one. She had observed that when it was all white, people looked rather discolored, like mud on snow, whereas against a black background they seemed to be of gem-like brilliance. But since she always looked brilliant herself, the new scheme was prompted by a wholly altruistic motive. She liked her friends to look brilliant too, and she would have felt thus even if she had not been brilliant herself, for out of a strangely compounded nature, anything akin to jealousy had been certainly omitted. There had been a good many friends in her bedroom lately, and there were a certain number here to-night. She expected more. Collectively they constituted that which was known as the clan.
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About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
