Miss Ludington's Sister: American Literature

· American Literature Book 104 · VM eBooks
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The happiness of some lives is distributed pretty evenly over the whole stretch from the cradle to the grave, while that of others comes all at once, glorifying some particular epoch and leaving the rest in shadow. During one, five, or ten blithe years, as the case may be, all the springs of life send up sweet waters; joy is in the very air we breathe; happiness seems our native element. During this period we know what is the zest of living, as compared with the mere endurance of existence, which is, perhaps, the most we have attained to before or since. With men this culminating epoch comes often in manhood, or even at maturity, especially with men of arduous and successful careers. But with women it comes most frequently perhaps in girlhood and young womanhood. Particularly is this wont to be the fact with women who do not marry, and with whom, as the years glide on, life becomes lonelier and its interests fewer.

By the time Miss Ida Ludington was twenty-five years old she recognised that she had done with happiness, and that the pale pleasures of memory were all which remained to her.

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About the author

Edward Bellamy (March 26, 1850 – May 22, 1898) was an American author and socialist, most famous for his utopian novel, Looking Backward, a Rip Van Winkle-like tale set in the distant future of the year 2000. Bellamy's vision of a harmonious future world inspired the formation of at least 165 "Nationalist Clubs" dedicated to the propagation of Bellamy's political ideas and working to make them a practical reality.
Bellamy's early novels, including Six to One (1878), Dr. Heidenhoff's Process (1880), and Miss Ludington's Sister (1885) were unremarkable works, making use of standard psychological plots.

He also wrote The Duke of Stockbridge; a romance of Shay's Rebellion (1900), and several short stories published in 1898.

A turn to utopian science fiction with Looking Backward, 2000–1887, published in January 1888, captured the public imagination and catapulted Bellamy to literary fame. The publisher of the book could scarcely keep up with demand. Within a year the book had sold some 200,000 copies and by the end of the 19th century it had sold more copies than any other book published in America outside of Uncle Tom's Cabin by Harriet Beecher Stowe.

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