Wives and Daughters: An Everyday Story, Volume 2
Dec 2008 · Cosimo, Inc.
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About this ebook
"My dear! why don't you ask him to dinner here? A little quiet dinner, you know. Cook is quite up to it; and we would all of us wear blacks and lilacs; he couldn't consider that as gaiety." Mr. Gibson took no more notice of these suggestions than by shaking his head. He had grown accustomed to his wife by this time, and regarded silence on his own part as a great preservative against long inconsequential arguments. But every time that Mrs. Gibson was struck by Cynthia's beauty, she thought it more and more advisable that Mr. Osbourne Hamley should be cheered up by a quiet little dinner-party. As yet no one but the ladies of Hollingford and Mr. Ashton, the vicar-that hopeless and impracticable old bachelor-had seen Cynthia; and what was the good of having a lovely daughter, if there were none but old women to admire her? -from Chapter XIX: "Cynthia's Arrival" As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North. Wives and Daughters, Gaskell's sixth and final novel, was originally serialized in Cornhill Magazine between 1864 and 1866, and was not quite finished at the time of the author's death. The story, of shy Molly Gibson and her far more spirited stepsister, Cynthia, and the men who vie for their hands, remains incomplete, but this edition features notes from the Cornhill editor regarding Gaskell's plans for the tale's ending. Friend and literary companion to such figures as Charles Dickens and Charlotte Bront-the latter of whom Gaskell wrote an applauded 1857 biography-Gaskell is today being restored to her rightful place alongside her. This delightful replica volume is an excellent opportunity for 21st-century fans of British literature to embrace one of its most unjustly forgotten authors.
About the author
Elizabeth Gaskell was born on September 29, 1810 to a Unitarian clergyman, who was also a civil servant and journalist. Her mother died when she was young, and she was brought up by her aunt in Knutsford, a small village that was the prototype for Cranford, Hollingford and the setting for numerous other short stories. In 1832, she married William Gaskell, a Unitarian clergyman in Manchester. She participated in his ministry and collaborated with him to write the poem Sketches among the Poor in 1837. Our Society at Cranford was the first two chapters of Cranford and it appeared in Dickens' Household Words in 1851. Dickens liked it so much that he pressed Gaskell for more episodes, and she produced eight more of them between 1852 and 1853. She also wrote My Lady Ludlow and Lois the Witch, a novella that concerns the Salem witch trials. Wives and Daughters ran in Cornhill from August 1864 to January 1866. The final installment was never written but the ending was known and the novel exists now virtually complete. The story centers on a series of relationships between family groups in Hollingford. Most critics agree that her greatest achievement is the short novel Cousin Phillis. Gaskell was also followed by controversy. In 1853, she offended many readers with Ruth, which explored seduction and illegitimacy that led the "fallen woman" into ostracism and inevitable prostitution. The novel presents the social conduct in a small community when tolerance and morality clash. Critics praised the novel's moral lessons but Gaskell's own congregation burned the book and it was banned in many libraries. In 1857, The Life of Charlotte Brontë was published. The biography was initially praised but angry protests came from some of the people it dealt with. Gaskell was against any biographical notice of her being written during her lifetime. After her death on November 12, 1865, her family refused to make family letters or biographical data available.
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