Wives and Daughters: Top Novelist Focus
About this ebook
THE DAWN OF A GALA DAY.
To begin with the old rigmarole of childhood. In a country there was a shire, and in that shire there was a town, and in that town there was a house, and in that house there was a room, and in that room there was a bed, and in that bed there lay a little girl; wide awake and longing to get up, but not daring to do so for fear of the unseen power in the next room--a certain Betty, whose slumbers must not be disturbed until six o'clock struck, when she wakened of herself "as sure as clockwork," and left the household very little peace afterwards. It was a June morning, and early as it was, the room was full of sunny warmth and light.
On the drawers opposite to the little white dimity bed in which Molly Gibson lay, was a primitive kind of bonnet-stand on which was hung a bonnet, carefully covered over from any chance of dust with a large cotton handkerchief, of so heavy and serviceable a texture that if the thing underneath it had been a flimsy fabric of gauze and lace and flowers, it would have been altogether "scomfished" (again to quote from Betty's vocabulary). But the bonnet was made of solid straw, and its only trimming was a plain white ribbon put over the crown, and forming the strings. Still, there was a neat little quilling inside, every plait of which Molly knew, for had she not made it herself the evening before, with infinite pains? and was there not a little blue bow in this quilling, the very first bit of such finery Molly had ever had the prospect of wearing?
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About the author
Elizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 — 12 November 1865), often referred to simply as Mrs Gaskell, was an English novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell's The Life of Charlotte Bronte, published in 1857, was the first biography of that author.
On 30 August 1832 Elizabeth married a Unitarian minister, William Gaskell, in Knutsford. They spent their honeymoon in North Wales, staying with Elizabeth's uncle, Samuel Holland, near Porthmadog. The Gaskells then settled in Manchester, where William was the minister at Cross Street Unitarian Chapel. Manchester's industrial surroundings influenced Elizabeth's writing in the industrial genre. Their first child, a daughter, was stillborn in 1833. A son, William, (1844–45), died in infancy, and this tragedy was the catalyst for Gaskell's first novel, Mary Barton. Their other children were Marianne (1834), Margaret Emily, known as Meta (1837), Florence Elizabeth (1842), and Julia Bradford (1846). Florence married Charles Crompton, a barrister and Liberal politician, in 1863.
In March 1835 Mrs Gaskell began a diary, documenting the development of her daughter Marianne, her views of herself and William as parents, the value she gave to her role as a mother, her religious faith, and, later, the relationship between Marianne and her sister, Meta. In 1836 she co-authored with her husband a cycle of poems, Sketches among the Poor, which was published in Blackwood's Magazine in January 1837. In 1840 William Howitt published Visits to Remarkable Places containing a contribution entitled Clopton Hall by "A Lady", the first work written and published solely by Mrs Gaskell. In April 1840 Howitt published The Rural Life of England, which included her second work, Notes on Cheshire Customs.
In July 1841 the Gaskells travelled to Belgium and Germany, and German literature came to have a strong influence on her short stories. In 1847 she published her first work of fiction, Libbie Marsh's Three Eras, in Howitt's Journal, using the pseudonym "Cotton Mather Mills". Her next work, The Sexton's Hero, was published under the same pseudonym. She made her last use of the pseudonym in 1848, with the publication of her story Christmas Storms and Sunshine. Her first novel, Mary Barton, was published in October 1848.
In 1850 the Gaskells moved to a villa at 84 Plymouth Grove, where Elizabeth wrote her remaining literary works, while her husband held welfare committees and tutored the poor in his study. The Gaskells' social circle included writers, religious dissenters and social reformers such as William and Mary Howitt. Charles Dickens and John Ruskin visited Plymouth Grove, as did the American writers Harriet Beecher Stowe and Charles Eliot Norton, while the conductor Charles Hallé, who lived close by, taught piano to one of their daughters. Her close friend Charlotte Brontë stayed there three times, and on one occasion hid behind the drawing room curtains as she was too shy to meet the Gaskells' other visitors.
In early 1850 Mrs Gaskell wrote to Charles Dickens asking for advice about assisting a girl named Pasley whom she had visited in prison. Pasley provided her with a model for the title character of Ruth in 1853. Lizzie Leigh was published in March and April 1850, in the first numbers of Dickens's journal Household Words, in which many of her works were to be published, including Cranford and North and South, her novella My Lady Ludlow, and short stories.
