Episode of the Wandering Knife
mar. 2019 · The Hilda Adams Mysteries Cartea 3 · Open Road Media
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Three tales from a mystery master whose “literary distinction lies in the combination of love, humor and murder that she wove into her tales” (The New York Times).
The Episode of the Wandering Knife: What’s a mother to do? When her daughter-in-law is slashed to death, the first thing is to hide the hunting knife that’s sure to implicate her innocent son. But it doesn’t stay hidden for long. It’s just turned up in a second victim, only to vanish once again. Whatever the cunning motive is for the ghastly crimes, the game of hide-and-seek with a deadly weapon is just beginning.
The Man Who Hid His Breakfast: A woman’s been found strangled in her bed. The only other person in the house is her daughter, Emma. Given Emma’s motive for wanting to escape the clutches of her domineering mother, the case seems open and shut. Except Inspector Tom Brent insists Emma couldn’t possibly have done it. His career depends on proving it. And it all starts with a very peculiar breakfast.
The Secret: Hilda Adams, the Homicide Bureau’s undercover “Miss Pinkerton,” is enlisted to investigate the odd behavior of Tony Rowland. The woman has suddenly broken off her engagement to a man she loves, crashed a car, and now keeps her elderly mother locked in her room. Does the Rowland family have reason to fear the neurotic woman? Or is Tony herself the one who’s afraid? If so, of what?
The Episode of the Wandering Knife: What’s a mother to do? When her daughter-in-law is slashed to death, the first thing is to hide the hunting knife that’s sure to implicate her innocent son. But it doesn’t stay hidden for long. It’s just turned up in a second victim, only to vanish once again. Whatever the cunning motive is for the ghastly crimes, the game of hide-and-seek with a deadly weapon is just beginning.
The Man Who Hid His Breakfast: A woman’s been found strangled in her bed. The only other person in the house is her daughter, Emma. Given Emma’s motive for wanting to escape the clutches of her domineering mother, the case seems open and shut. Except Inspector Tom Brent insists Emma couldn’t possibly have done it. His career depends on proving it. And it all starts with a very peculiar breakfast.
The Secret: Hilda Adams, the Homicide Bureau’s undercover “Miss Pinkerton,” is enlisted to investigate the odd behavior of Tony Rowland. The woman has suddenly broken off her engagement to a man she loves, crashed a car, and now keeps her elderly mother locked in her room. Does the Rowland family have reason to fear the neurotic woman? Or is Tony herself the one who’s afraid? If so, of what?
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Mary Roberts Rinehart (1876–1958) was one of the United States’s most popular early mystery authors. Born in Pittsburgh to a clerk at a sewing machine agency, Rinehart trained as a nurse and married a doctor after her graduation from nursing school. She wrote fiction in her spare time until a stock market crash sent her and her young husband into debt, forcing her to lean on her writing to pay the bills. Her first two novels, The Circular Staircase (1908) and The Man in Lower Ten (1909), established her as a bright young talent, and it wasn’t long before she was one of the nation’s most popular mystery novelists.
Among her dozens of novels are The Amazing Adventures of Letitia Carberry (1911), which began a six-book series, and The Bat (originally published in 1920 as a play), which was among the inspirations for Bob Kane’s Batman. Credited with inventing the phrase “The butler did it,” Rinehart is often called an American Agatha Christie, even though she began writing much earlier than Christie, and was much more popular during her heyday.
Among her dozens of novels are The Amazing Adventures of Letitia Carberry (1911), which began a six-book series, and The Bat (originally published in 1920 as a play), which was among the inspirations for Bob Kane’s Batman. Credited with inventing the phrase “The butler did it,” Rinehart is often called an American Agatha Christie, even though she began writing much earlier than Christie, and was much more popular during her heyday.
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