Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers’ self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. Thought in the Act enacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics.
Erin Manning is University Research Chair in Relational Art and Philosophy in the Faculty of Fine Arts at Concordia University in Montreal. She is the author of Always More Than One: Individuation’s Dance.
Brian Massumi is professor of communication at the University of Montreal. He is the author, most recently, of Semblance and Event: Activist Philosophy and the Occurrent Arts.