關於本電子書
A novel of family, privilege, and poverty, described as “King Lear in the Caribbean” (O, The Oprah Magazine).
A New York Post Must-Read Book
Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped “That future strife/May be prevented now.” But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land. In the meantime, he gives his two older daughters their portions, ironically setting in motion the very strife he hoped to prevent.
“An epic tale of family betrayal and manipulation couched in superbly engaging prose and peopled with deftly drawn characters. In a story structure as rhythmic as the ebb and flow of the water surrounding Trinidad and Barbados, this revisiting of the classic story of King Lear becomes a subtle, organic exploration of politics, class, race, and privilege. A dazzling, epic triumph.” —Kirkus Reviews, starred review
“Nunez’s textured and engaging novel explores familial discord, along with questions of kinship and self-identity. . . . Nunez crafts an introspective tale as her vividly drawn characters navigate complications of heritage, race, and loyalty.” —Booklist
“A Caribbean reimagining of King Lear that adds colonialism and racism to the story of three sisters, the men they love and their battle over the deed to their father’s beloved property.” —Ms. Magazine
“Even if you’re not familiar with King Lear, William Shakespeare’s great tragedy, you will still enjoy Even in Paradise.” —Essence
A New York Post Must-Read Book
Peter Ducksworth, a Trinidadian widower of English ancestry, retires to Barbados, believing he will find an earthly paradise there. He decides to divide his land among his three daughters while he is alive, his intention not unlike that of King Lear, who hoped “That future strife/May be prevented now.” But Lear made the fatal mistake of confusing flattery with love, and so does Ducksworth. Feeling snubbed by his youngest daughter, Ducksworth decides that only after he dies will she receive her portion of the land. In the meantime, he gives his two older daughters their portions, ironically setting in motion the very strife he hoped to prevent.
“An epic tale of family betrayal and manipulation couched in superbly engaging prose and peopled with deftly drawn characters. In a story structure as rhythmic as the ebb and flow of the water surrounding Trinidad and Barbados, this revisiting of the classic story of King Lear becomes a subtle, organic exploration of politics, class, race, and privilege. A dazzling, epic triumph.” —Kirkus Reviews, starred review
“Nunez’s textured and engaging novel explores familial discord, along with questions of kinship and self-identity. . . . Nunez crafts an introspective tale as her vividly drawn characters navigate complications of heritage, race, and loyalty.” —Booklist
“A Caribbean reimagining of King Lear that adds colonialism and racism to the story of three sisters, the men they love and their battle over the deed to their father’s beloved property.” —Ms. Magazine
“Even if you’re not familiar with King Lear, William Shakespeare’s great tragedy, you will still enjoy Even in Paradise.” —Essence
關於作者
Elizabeth Nunez is the award-winning author of a memoir and nine novels, four of them selected as New York Times Editors' Choice. Her two most recent books are Not for Everyday Use, a memoir, which won the 2015 prestigious Hurston Wright Legacy Award for nonfiction, and the novel Even in Paradise, a contemporary version of Shakespeare's King Lear. Her other novels are: Boundaries (nominated for the 2012 NAACP Image Award for Outstanding Literary Fiction); Anna In-Between (PEN Oakland Award for Literary Excellence and long-listed for an IMPAC Dublin International Literary Award); Prospero's Daughter (2010 Trinidad and Tobago One Book, One Community selection, and the 2006 Florida Center for the Literary Arts One Book, One Community); Bruised Hibiscus (American Book Award); Beyond the Limbo Silence (Independent Publishers Book Award); Grace; Discretion; and When Rocks Dance. Nunez received her PhD from New York University and is a Distinguished Professor at Hunter College, CUNY, where she teaches courses on Caribbean Women Writers and Creative Writing.
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