Fake Accounts

· HarperCollins UK
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SHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE

A wry, provocative and very funny debut novel about identity, authenticity and the self in the age of the internet

‘I loved it’ Zadie Smith ‘Brilliant, very funny’ Guardian ‘Prepare to feel very seen’ I-D

On the eve of Donald Trump’s inauguration, a young woman snoops through her boyfriend’s phone and makes a startling discovery: he’s an anonymous Internet conspiracy theorist, and a popular one at that. Already fluent in Internet fakery, irony, and outrage, she’s not exactly shocked by the revelation. But this is only the first in a series of bizarre twists that expose a world whose truths are shaped by online lies.

Suddenly left with no reason to stay in New York – or be anywhere in particular – she flees to Berlin, and embarks on her own cycles of manipulation in the deceptive spaces of her daily life, from dating apps to expat social events, open-plan offices to bureaucratic waiting rooms.

Narrated in a voice as seductive as it is subtly subversive, Fake Accounts is a wry, provocative and very funny debut novel about identity and authenticity in the age of the internet.

Bewertungen und Rezensionen

4.0
1 Rezension
Missy Mesmerized (miss mesmerized)
23. Februar 2021
When the unnamed narrator seizes the chance to snoop through her boyfriend’s phone – which he normally does not let out of his sight – she discovers that he has a large Instagram account on which he spreads conspiracy theories. She is confused but admittedly, she was already thinking about splitting up and now she’s got a good reason. However, her plan – telling him after returning from the women’s march against Trump – fails totally because when she’s still in Washington, his mother informs her of his fatal bike accident. Even though she already was detached emotionally, this hits her hard and literally throws her out of her life. She quits her job and travels to Berlin, the city where they first met and where she hopes to find out what she expects from life and what she actually wants to do professionally. Lauren Oyler’s novel is a portrait of a somehow lost generation who lives a double life: one in the real world, where many of them are lost and orbiting around aimlessly, and one in the online world, where they can create an idea of themselves, a person they would like to be and play a role according to their likes. Yet, the more followers they generate, the more narcissistic they become and inevitably, the fake life in the world-wide web has an impact on reality, too. Slowly, they also start to create fake personalities there and increasingly lack the necessary authenticity and sincerity it needs to have serious relationship with others. The narrator lives such a life in both spheres at the same time, her job involves roaming the net for good stories she can re-use and pimp for the magazine she works at. After leaving her old life behind and moving to Europe, she does not even start to create a new life in Berlin, neither does she try to learn German nor does she really make acquaintances. She dates people she gets to know online simply to tell each one a different story about who she is – she successfully transfers the possibility of a fake online account into real life. However, this does not make her any happier. In a certain way, this is funny and ironic since it is so much over the top that it cannot be real. But is it really? Are people still able to make a distinction between the two? And which consequences does this have for us? We are all aware of how photos can be photoshopped, how information online can be embellished or simply wrong and we pay attention when we are approached by someone online whom we don’t know. In real life however, don’t we expect that people tell us the truth at least to a certain extent? And especially in a relationship, aren’t sincerity and truthfulness necessary foundations to build trust in each other? An interesting study in how far our online behaviour may fire back – not something we can really wish for. Even though the tone is light and often funny, is leaves you somehow with a bad aftertaste.
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Autoren-Profil

Lauren Oyler is based in Brooklyn, and also spends time in Berlin. Her essays on books and culture have appeared in the New Yorker, the New York Times Magazine, the New York Times Book Review, the London Review of Books, the Guardian, New York Magazine’s The Cut, Bookforum, the Baffler and the New Republic, among other publications.

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