Feminist Reconfigurings of Alien Encounters: Ethical Co-Existence in More-than-Human Worlds
À propos de cet e-book
This playfully crafted mixed-genre book is informed by feminist posthumanisms and co-created with a spectral community of more-than-humans who are respectfully summoned to contribute with their perspectives. In focus of the entangled artistic-philosophical-poetic investigations are questions of ethics, aesthetics, and methodologies to co-exist response-ably rather than based on modern human beliefs in exceptionalism and entitlement to sovereignty, control, and conquest of more-than-human worlds.
Feminist Reconfi gurings of Alien Encounters is intended for broad global audiences of researchers, teachers, professionals, NGOs, politicians, students from undergraduate to postgraduate levels, artists, writers, activists, and artivists who are interested in entangled artistic-poetic-philosophical modes of understanding the world as well as in ecology, new feminist materialism, critical posthumanism, and questions about radically rethinking and reimagining human/more-than-human relations on Earth.
À propos de l'auteur
Nina Lykke is Professor Emerita, Gender Studies, Linköping University, Sweden, and Aarhus University, Denmark, and a poet and writer. Her research focuses on queer death studies, intersectionality, feminist posthumanism, and queer ecologies. Her monographs include Cosmodolphins (2000), Feminist Studies (2010), and Vibrant Death (2022).
Katja Aglert is a Stockholm-based artist and 2020–2022 Professor of Art, Linköping University, Sweden. For 20 years, she has explored transdisciplinary, often collaborative processes situated in feminist and more-than-human imaginaries. Her exhibitions include FLORA ars + natura, Bogotá; Marabouparken, Stockholm; Museum of Contemporary Art, Santiago de Chile.
Line Henriksen is Senior Lecturer in Literature and Creative Writing at Malmö University, Sweden. She is the author of the monograph In the Company of Ghosts: Hauntology, Ethics, Digital Monsters (2016), and her research interests include monster theory, hauntology, and creative writing as method.
