Fierce September

· Penguin Random House New Zealand Limited
āŠ‡-āŠŠāŦāŠļāŦāŠĪāŠ•
368
āŠŠāŦ‡āŠœ
āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ…āŠĻāŦ‡ āŠ°āŠŋāŠĩāŦāŠŊāŦ‚ āŠšāŠ•āŠūāŠļāŦ‡āŠēāŠū āŠĻāŠĨāŦ€Â āŠĩāŠ§āŦ āŠœāŠūāŠĢāŦ‹

āŠ† āŠ‡-āŠŠāŦāŠļāŦāŠĪāŠ• āŠĩāŠŋāŠķāŦ‡

Juno of Taris faces more dangers in the second in the award-winning science fiction / fantasy young adult novel series. Juno and the Taris inhabitants must leave their dying island. The young people look forward to a wider life Outside, but Outside too has its problems. It is two-year-old Hera, with her uncanny ability to foresee events, who saves the Taris people from the injury and death prepared for them by an underground group of protestors. The people of Taris, though, have no choice but to try to live in this seemingly hostile place. The young people are entranced despite the hate campaign against them: there are the fashions, the technologies and best of all for Juno, the freedom from extreme control. Only days after the group arrives, a pandemic hits the country - this has drastic consequences for Juno and her people. Once the pandemic is over, life settles down and the question now for Juno is to find her way among the choices open to her, some of which cause her parents to fear she is abandoning the values they hold so dear. Juno was relieved to put Taris behind her. But Taris doesn't give up its hold so easily - she is shocked to find the island held more secrets than any of them knew. She wants to bury her head, ignore what she's discovered and forge ahead to find her own place in this new world. She falls for Ivan, a young man who seems to understand her, but love is a fey thing. What will become of her? Winner of the Young Adult Fiction Award in the 2011 NZ Post Children's Book Awards and of the 2011 LIANZA Young Adult Fiction Medal, the stunning sequel to Juno of Taris (shortlisted for the 2009 NZ Post Children's Book Awards) features a ground breaking new cross-media technique - at the end of each chapter readers are referred to an online blog featuring additional conversations/commentary by the characters in the novel.

āŠēāŦ‡āŠ–āŠ• āŠĩāŠŋāŠķāŦ‡

Fleur Beale is the author of many award-winning books for children and young adults — she has now had more than 40 books published in New Zealand, as well as being published in the United States and England. Beale is the only writer to have twice won the Storylines Gaelyn Gordon Award for a Much-Loved Book: with Slide the Corner in 2007, and I Am Not Esther in 2009. She won the Esther Glen Award for distinguished contribution to children’s literature for Juno of Taris in the 2009 LIANZA Children’s Book Awards. Fierce September won the YA category in the 2011 NZ Post Children’s Book Awards and the LIANZA Young Adult Award in 2011. In 2012 she won the Margaret Mahy Medal for her outstanding contribution to children’s writing and in 2015 she was made an Officer of the New Zealand Order of Merit. In 1999, Beale was Dunedin College of Education’s Writer in Residence. A former high-school teacher, Beale lives in Wellington. One of Beale’s most well-known books is I Am Not Esther, the story of a girl who is sent to live with relatives who are members of a strict religious cult. It’s a gripping psychological thriller that won an Honour Award in the 1999 New Zealand Post Children’s Book Awards and features in the latest volume of 1001 Books You Must Read Before You Grow Up, produced by UK publisher Quintessence. It was reissued in 2012 and has been in print since first published. Magpies identified it as a novel that ‘will have relevance wherever there are attempts to control the minds and emotions of children’. The sequel, I Am Rebecca, was published in 2014 to much acclaim — it was named a 2015 Storylines Notable Young Adult Fiction book; was shortlisted for the New Zealand Post Book Awards for Children and Young Adults Young Adult category, and won the LIANZA Librarian's Choice Award. In a review for the Otago Daily Times, Rene Nol wrote that, ‘Good writing can reveal our prejudices as being the shallow things they are. Really good writing does that and entertains the reader at the same time. Such is the case with New Zealand author Fleur Beale's latest book, I am Rebecca...This is a tension-filled, thrilling read that affirms genuine belief while exposing hypocrisy.’ Being Magdalene followed in 2015, bringing the series to a riveting conclusion. Awarding the novel five out of five stars for Tearaway, Tierney Reardon avowed that ‘Magdalene is my favourite book in the series; the ending seemed to tie things off so perfectly’, and in a featured review for the New Zealand Listener Ann Packer judged that ‘The remarkable success of I Am Not Esther and its sequels lies in Beale's insightful ability to see shades between black and white...While exposing the hypocrisy of those Elders claiming divine guidance, Beale allows other church adults to show compassion, wisdom and discernment in a fine balance.’ Being Magdalene was awarded a Storylines Notable Book Award in 2016. The bulk of Beale’s writing is set in the contemporary world. Topics range from boys who fix up an old car to bash around a paddock with, a girl who must take over her father’s business until he’s well enough to take back the reins, to a story about a 15-year-old boy who is a top kart racer. The New Zealand Listener has called Beale ‘one of the most consistently accomplished and versatile writers for teenagers in the country’. A ‘strong storyteller’ (Trevor Agnew, The Press) who is ‘consistently engaging’ (Frances Grant, Weekend Herald), Beale is a popular participant in the Writers in School programme, testifying that she is ‘in touch with the modern young market’ (Northern Advocate). Her entry in The Oxford Companion to New Zealand Literature noted that her characters are ‘intensely aware of their difficulties, social troubles and shortcomings’, and in so doing she exhibits ‘her understanding of teenagers, male and female, and ability to motivate even reluctant readers’. Acclaimed as ‘a riveting futuristic story’, in the National Library’s Services to Schools review, Juno of Taris was likened to Bernard Beckett’s Genesis and the ‘classic’ The Giver by Lois Lowry. The reviewer concluded: ‘it is a brilliant story that completely enthralled me’. The sequel, Fierce September, was named one of The New Zealand Listener’s ‘50 Best Children’s Books of 2010’, and North and South praised its narrative for its ‘compelling authenticity’, while the Otago Daily Times wrote: ‘The writing is tight; the characterisation credible, and the narrative exciting.’ The book’s innovative technique of opening each chapter with a blog commentary on events was widely acclaimed, the reviewer in Magpies commenting that the ‘cross-media technique of combining online blogs with traditional text...brings the book vividly into our world’. Reviewing Heart of Danger, the concluding volume in the Juno trilogy, in New Zealand Books, Angelina Sbroma identified Juno as a ‘protagonist of wish-fulfilment fantasy in the grand tradition’, but for all that is still a ‘rounded character’. The book left Bob Docherty requesting a fourth volume..

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