Foucault and Nietzsche: A Critical Encounter
Joseph Westfall · Alan Rosenberg
2018 ots. · Bloomsbury Publishing
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Foucault's intellectual indebtedness to Nietzsche is apparent in his writing, yet the precise nature, extent, and nuances of that debt are seldom explored. Foucault himself seems sometimes to claim that his approach is essentially Nietzschean, and sometimes to insist that he amounts to a radical break with Nietzsche. This volume is the first of its kind, presenting the relationship between these two thinkers on elements of contemporary culture that they shared interests in, including the nature of life in the modern world, philosophy as a way of life, and the ways in which we ought to read and write about other philosophers.
The contributing authors are leading figures in Foucault and Nietzsche studies, and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault-Nietzsche relationship. Specific points of comparison include Foucault and Nietzsche's differing understandings of the Death of God; art and aesthetics; power; writing and authorship; politics and society; the history of ideas; genealogy and archaeology; and the evolution of knowledge.
The contributing authors are leading figures in Foucault and Nietzsche studies, and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault-Nietzsche relationship. Specific points of comparison include Foucault and Nietzsche's differing understandings of the Death of God; art and aesthetics; power; writing and authorship; politics and society; the history of ideas; genealogy and archaeology; and the evolution of knowledge.
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Alan Rosenberg is Professor of Philosophy, Emeritus, Queens College, The City University of New York, USA and is Associate Editor of Foucault Studies.
Joseph Westfall is Associate Professor of Philosophy, University of Houston-Downtown, USA. He is the editor of The Continental Philosophy of Film Reader (Bloomsbury, forthcoming).
Joseph Westfall is Associate Professor of Philosophy, University of Houston-Downtown, USA. He is the editor of The Continental Philosophy of Film Reader (Bloomsbury, forthcoming).
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