Full Stop

· A&C Black
Llibre electrònic
206
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Sobre aquest llibre

Loretta Lawson is already a little apprehensive about spending a hot, muggy weekend alone in New York City at her friend Toni's apartment. And it seems her fears are confirmed when she receives a series of mysterious and threatening phone calls. What's more, as she explores the exciting, unfamiliar city, she has the uneasy impression that someone is watching her, perhaps even following her. Is Loretta the target of these unnerving attentions or are they aimed at Toni?

Loretta begins to think that she cannot trust her own judgment; the one person who might lend a hand--her ex-husband, journalist John Tracey, also in New York on a story--has too many problems of his own to help. In the end, Loretta must face the terrifying events that unfold alone. . . .

Sobre l'autor

Joan Alison Smith (born 27 August 1953, London) is an English novelist, journalist and human rights activist, who is a former chair of the Writers in Prison committee in the English section of International PEN.

Smith was educated at a state school before reading Latin at the University of Reading in the early 1970s. After a spell as a journalist in local radio in Manchester, she joined the staff of the Sunday Times in 1979 and stayed at the newspaper until 1984. She has had a regular column in the Guardian Weekend supplement, also freelancing for the newspaper and in recent years has contributed to The Independent, the Independent on Sunday, and the New Statesman.

In her non-fiction Smith displays a commitment to atheism, feminism and republicanism; she has travelled extensively and this is reflected in her articles. In 2003 she was offered the MBE for her services to PEN, but refused the award. She is a supporter of the political organisation, Republic and an Honorary Associate of the National Secular Society.

In November 2011 she gave evidence to the Leveson Inquiry into press and media standards following the telephone hacking practiced by the News of the World. She testified that she considered celebrities thought they could control press content if they put themselves into the public domain when, in reality the opposite was more likely. She repeated a claim that she has persistently adhered to in her writings that the press is misogynistic.

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