The Woman Who Did: Grant Allen's Top Collection

· Grant Allen's Top Collection Book 15 · 谷月社
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 The controversial subject matter of Grant Allen's novel, The Woman Who Did, made it a major bestseller in 1895. It tells the story of Herminia Barton, a university-educated New Woman who, because of her belief that marriage oppresses women, refuses to marry her lover even though she shares his bed and bears his child. Her ideals come into disastrous conflict with intensely patriarchal late Victorian England. Indeed, Allen intended his novel to shock readers into a serious exploration of some of the major issues in fin de siècle sexual politics, issues that he himself, in various periodical articles under the rubric of the "Woman Question," had played a leading role in opening up to public debate. This Broadview edition contains a critical introduction as well as a rich selection of appendices which include excerpts from Allen's writings on women, sex, and marriage; contemporary writings on the "Sex Problem"; documents pertaining to the Marriage Debate; contemporary responses to the novel; and excerpts from two parodies of the novel.

I.

Mrs. Dewsbury's lawn was held by those who knew it the loveliest in Surrey. The smooth and springy sward that stretched in front of the house was all composed of a tiny yellow clover. It gave beneath the foot like the pile on velvet. One's gaze looked forth from it upon the endless middle distances of the oak-clad Weald, with the uncertain blue line of the South Downs in the background. Ridge behind ridge, the long, low hills of paludina limestone stood out in successive tiers, each thrown up against its neighbor by the misty haze that broods eternally over the wooded valley; till, roaming across them all, the eye rested at last on the rearing scarp of Chanctonbury Ring, faintly pencilled on the furthest skyline. Shadowy phantoms of dim heights framed the verge to east and west. Alan Merrick drank it in with profound satisfaction. After those sharp and clear-cut Italian outlines, hard as lapis lazuli, the mysterious vagueness, the pregnant suggestiveness, of our English scenery strikes the imagination; and Alan was fresh home from an early summer tour among the Peruginesque solidities of the Umbrian Apennines. "How beautiful it all is, after all," he said, turning to his entertainer. "In Italy 'tis the background the painter dwells upon; in England, we look rather at the middle distance."

Mrs. Dewsbury darted round her the restless eye of a hostess, to see upon whom she could socially bestow him. "Oh, come this way," she said, sweeping across the lawn towards a girl in a blue dress at the opposite corner. "You must know our new-comer. I want to introduce you to Miss Barton, from Cambridge. She's SUCH a nice girl too,—the Dean of Dunwich's daughter."...

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About the author

 Charles Grant Blairfindie Allen (February 24, 1848 – October 25, 1899) was a Canadian science writer and novelist, and a proponent of the theory of evolution.
Allen was born near Kingston, Canada West (now incorporated into Ontario), the second son of Catharine Ann Grant and the Rev. Joseph Antisell Allen, a Protestant minister from Dublin, Ireland. His mother was a daughter of the fifth Baron of Longueuil. He was educated at home until, at age 13, he and his parents moved to the United States, then France and finally the United Kingdom. He was educated at King Edward's School in Birmingham and Merton College in Oxford, both in the United Kingdom. After graduation, Allen studied in France, taught at Brighton College in 1870–71 and in his mid-twenties became a professor at Queen's College, a black college in Jamaica.

Despite his religious father, Allen became an agnostic and a socialist. After leaving his professorship, in 1876 he returned to England, where he turned his talents to writing, gaining a reputation for his essays on science and for literary works. One of his early articles, 'Note-Deafness' (a description of what is now called amusia, published in 1878 in the learned journal Mind) is cited with approval in a recent book by Oliver Sacks.

His first books were on scientific subjects, and include Physiological Æsthetics (1877) and Flowers and Their Pedigrees (1886). He was first influenced by associationist psychology as it was expounded by Alexander Bain and Herbert Spencer, the latter often considered the most important individual in the transition from associationist psychology to Darwinian functionalism. In Allen's many articles on flowers and perception in insects, Darwinian arguments replaced the old Spencerian terms. On a personal level, a long friendship that started when Allen met Spencer on his return from Jamaica, also grew uneasy over the years. Allen wrote a critical and revealing biographical article on Spencer that was published after Spencer was dead.

After assisting Sir W. W. Hunter in his Gazeteer of India in the early 1880s, Allen turned his attention to fiction, and between 1884 and 1899 produced about 30 novels. In 1895, his scandalous book titled The Woman Who Did, promulgating certain startling views on marriage and kindred questions, became a bestseller. The book told the story of an independent woman who has a child out of wedlock.

In his career, Allen wrote two novels under female pseudonyms. One of these was the short novel The Type-writer Girl, which he wrote under the name Olive Pratt Rayner.

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