The Temptation of St. Antony: Classic French Literature

· Classic French Literature Book 59 · VM eBooks
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Chapter I.

A HOLY SAINT.

It is in the Thebaïd, on the heights of a mountain, where a platform, shaped like a crescent, is surrounded by huge stones.

The Hermit's cell occupies the background. It is built of mud and reeds, flat-roofed and doorless. Inside are seen a pitcher and a loaf of black bread; in the centre, on a wooden support, a large book; on the ground, here and there, bits of rush-work, a mat or two, a basket and a knife.

Some ten paces or so from the cell a tall cross is planted in the ground; and, at the other end of the platform, a gnarled old palm-tree leans over the abyss, for the side of the mountain is scarped; and at the bottom of the cliff the Nile swells, as it were, into a lake.

To right and left, the view is bounded by the enclosing rocks; but, on the side of the desert, immense undulations of a yellowish ash-colour rise, one above and one beyond the other, like the lines of a sea-coast; while, far off, beyond the sands, the mountains of the Libyan range form a wall of chalk-like whiteness faintly shaded with violet haze. In front, the sun is going down. Towards the north, the sky has a pearl-grey tint; while, at the zenith, purple clouds, like the tufts of a gigantic mane, stretch over the blue vault. These purple streaks grow browner; the patches of blue assume the paleness of mother-of-pearl. The bushes, the pebbles, the earth, now wear the hard colour of bronze, and through space floats a golden dust so fine that it is scarcely distinguishable from the vibrations of light.

About the author

 Gustave Flaubert (12 December 1821 – 8 May 1880) was an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.

His first finished work was November, a novella, which was completed in 1842.

In September 1849, Flaubert completed the first version of a novel, The Temptation of Saint Anthony. He read the novel aloud to Louis Bouilhet and Maxime Du Camp over the course of four days, not allowing them to interrupt or give any opinions. At the end of the reading, his friends told him to throw the manuscript in the fire, suggesting instead that he focus on day-to-day life rather than fantastic subjects.

In 1850, after returning from Egypt, Flaubert began work on Madame Bovary. The novel, which took five years to write, was serialized in the Revue de Paris in 1856. The government brought an action against the publisher and author on the charge of immorality, which was heard during the following year, but both were acquitted. When Madame Bovary appeared in book form, it met with a warm reception.

In 1858, Flaubert traveled to Carthage to gather material for his next novel, Salammbô. The novel was completed in 1862 after four years of work.

Drawing on his youth, Flaubert next wrote L'Éducation sentimentale (Sentimental Education), an effort that took seven years. This was his last complete novel, published in the year 1869.

He wrote an unsuccessful drama, Le Candidat, and published a reworked version of The Temptation of Saint Anthony, portions of which had been published as early as 1857. He devoted much of his time to an ongoing project, Les Deux Cloportes (The Two Woodlice), which later became Bouvard et Pécuchet, breaking from the obsessive project only to write the Three Tales in 1877. This book comprised three stories: Un Cœur simple (A Simple Heart), La Légende de Saint-Julien l'Hospitalier (The Legend of St. Julian the Hospitaller), and Hérodias (Herodias). After the publication of the stories, he spent the remainder of his life toiling on the unfinished Bouvard et Pécuchet, which was posthumously printed in 1881. It was a grand satire on the futility of human knowledge and the ubiquity of mediocrity. He believed the work to be his masterpiece, though the posthumous version received lukewarm reviews. Flaubert was a prolific letter writer, and his letters have been collected in several publications.

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