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Goodness has nothing to do with it as a hard-luck private eye in 1940s Hollywood takes a case for legendary silver screen sex symbol Mae West.
In the early days of talking pictures, the greatest sex symbol in Hollywood was the platinum-blonde bad girl Mae West. Naughty and gorgeous with a razor-sharp wit, West wrote her own material and controlled her own image—until the censors came in and outlawed the racy repartee that made her famous. By the forties, her star has faded and she’s banking everything on a scandalous memoir that she hopes will set the stage for a comeback. When the only copy is stolen, she calls in a favor from an old beau—the brother of wisecracking PI Toby Peters.
When Mae West asks, “Why don’t you come up sometime and see me?” you don’t say no. Peters arrives at a party at West’s house, where every guest is a man dressed as the woman herself—and one of them may be the thief who stole the manuscript. But before he can tear off the culprit’s wig, Peters finds that this is about more than theft. The crook wants to destroy Mae West, and he has murder on his mind.
The star of Edgar Award winner Stuart M. Kaminsky’s fun forties private eye series, “Peters is a good guy with a sense of humor, and every appearance he makes is a welcome one” (Booklist).
In the early days of talking pictures, the greatest sex symbol in Hollywood was the platinum-blonde bad girl Mae West. Naughty and gorgeous with a razor-sharp wit, West wrote her own material and controlled her own image—until the censors came in and outlawed the racy repartee that made her famous. By the forties, her star has faded and she’s banking everything on a scandalous memoir that she hopes will set the stage for a comeback. When the only copy is stolen, she calls in a favor from an old beau—the brother of wisecracking PI Toby Peters.
When Mae West asks, “Why don’t you come up sometime and see me?” you don’t say no. Peters arrives at a party at West’s house, where every guest is a man dressed as the woman herself—and one of them may be the thief who stole the manuscript. But before he can tear off the culprit’s wig, Peters finds that this is about more than theft. The crook wants to destroy Mae West, and he has murder on his mind.
The star of Edgar Award winner Stuart M. Kaminsky’s fun forties private eye series, “Peters is a good guy with a sense of humor, and every appearance he makes is a welcome one” (Booklist).
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作者简介
DIVStuart M. Kaminsky (1934–2009) was one of the most prolific crime fiction authors of the last four decades. Born in Chicago, he spent his youth immersed in pulp fiction and classic cinema—two forms of popular entertainment which he would make his life’s work. After college and a stint in the army, Kaminsky wrote film criticism and biographies of the great actors and directors of Hollywood’s Golden Age. In 1977, when a planned biography of Charlton Heston fell through, Kaminsky wrote Bullet for a Star, his first Toby Peters novel, beginning a fiction career that would last the rest of his life./divDIV /divKaminsky penned twenty-four novels starring the detective, whom he described as “the anti-Philip Marlowe.” In 1981’s Death of a Dissident, Kaminsky debuted Moscow police detective Porfiry Rostnikov, whose stories were praised for their accurate depiction of Soviet life. His other two series starred Abe Lieberman, a hardened Chicago cop, and Lew Fonseca, a process server. In all, Kaminsky wrote more than sixty novels. He died in St. Louis in 2009.
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