Herodias: Classic French Literature

┬╖ Classic French Literature рдкреБрд╕реНрддрдХ 53 ┬╖ VM eBooks
3.5
2 рд╕рдореАрдХреНрд╖рд╛рдПрдВ
рдИ-рдмреБрдХ
52
рдкреЗрдЬ
рд░реЗрдЯрд┐рдВрдЧ рдФрд░ рд╕рдореАрдХреНрд╖рд╛рдУрдВ рдХреА рдкреБрд╖реНрдЯрд┐ рдирд╣реАрдВ рд╣реБрдИ рд╣реИ ┬ардЬрд╝реНрдпрд╛рджрд╛ рдЬрд╛рдиреЗрдВ

рдЗрд╕ рдИ-рдмреБрдХ рдХреЗ рдмрд╛рд░реЗ рдореЗрдВ рдЬрд╛рдирдХрд╛рд░реА

Chapter I

In the eastern side of the Dead Sea rose the citadel of Machaerus. It was built upon a conical peak of basalt, and was surrounded by four deep valleys, one on each side, another in front, and the fourth in the rear. At the base of the citadel, crowding against one another, a group of houses stood within the circle of a wall, whose outlines undulated with the unevenness of the soil. A zigzag road, cutting through the rocks, joined the city to the fortress, the walls of which were about one hundred and twenty cubits high, having numerous angles and ornamental towers that stood out like jewels in this crown of stone overhanging an abyss.

Within the high walls stood a palace, adorned with many richly carved arches, and surrounded by a terrace that on one side of the building spread out below a wide balcony made of sycamore wood, upon which tall poles had been erected to support an awning.

One morning, just before sunrise, the tetrarch, Herod-Antipas, came out alone upon the balcony. He leaned against one of the columns and looked about him.

The crests of the hill-tops in the valley below the palace were just discernible in the light of the false dawn, although their bases, extending to the abyss, were still plunged in darkness. A light mist floated in the air; presently it lifted, and the shores of the Dead Sea became visible.

рд░реЗрдЯрд┐рдВрдЧ рдФрд░ рд╕рдореАрдХреНрд╖рд╛рдПрдВ

3.5
2 рд╕рдореАрдХреНрд╖рд╛рдПрдВ

рд▓реЗрдЦрдХ рдХреЗ рдмрд╛рд░реЗ рдореЗрдВ

Gustave Flaubert (12 December 1821 тАУ 8 May 1880) was an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a prot├йg├й of Flaubert.

His first finished work was November, a novella, which was completed in 1842.

In September 1849, Flaubert completed the first version of a novel, The Temptation of Saint Anthony. He read the novel aloud to Louis Bouilhet and Maxime Du Camp over the course of four days, not allowing them to interrupt or give any opinions. At the end of the reading, his friends told him to throw the manuscript in the fire, suggesting instead that he focus on day-to-day life rather than fantastic subjects.

In 1850, after returning from Egypt, Flaubert began work on Madame Bovary. The novel, which took five years to write, was serialized in the Revue de Paris in 1856. The government brought an action against the publisher and author on the charge of immorality, which was heard during the following year, but both were acquitted. When Madame Bovary appeared in book form, it met with a warm reception.

In 1858, Flaubert traveled to Carthage to gather material for his next novel, Salammb├┤. The novel was completed in 1862 after four years of work.

Drawing on his youth, Flaubert next wrote L'├Йducation sentimentale (Sentimental Education), an effort that took seven years. This was his last complete novel, published in the year 1869.

He wrote an unsuccessful drama, Le Candidat, and published a reworked version of The Temptation of Saint Anthony, portions of which had been published as early as 1857. He devoted much of his time to an ongoing project, Les Deux Cloportes (The Two Woodlice), which later became Bouvard et P├йcuchet, breaking from the obsessive project only to write the Three Tales in 1877. This book comprised three stories: Un C┼Уur simple (A Simple Heart), La L├йgende de Saint-Julien l'Hospitalier (The Legend of St. Julian the Hospitaller), and H├йrodias (Herodias). After the publication of the stories, he spent the remainder of his life toiling on the unfinished Bouvard et P├йcuchet, which was posthumously printed in 1881. It was a grand satire on the futility of human knowledge and the ubiquity of mediocrity. He believed the work to be his masterpiece, though the posthumous version received lukewarm reviews. Flaubert was a prolific letter writer, and his letters have been collected in several publications.
┬а

рдЗрд╕ рдИ-рдмреБрдХ рдХреЛ рд░реЗрдЯрд┐рдВрдЧ рджреЗрдВ

рд╣рдореЗрдВ рдЕрдкрдиреА рд░рд╛рдп рдмрддрд╛рдПрдВ.

рдкрдарди рдЬрд╛рдирдХрд╛рд░реА

рд╕реНрдорд╛рд░реНрдЯрдлрд╝реЛрди рдФрд░ рдЯреИрдмрд▓реЗрдЯ
Android рдФрд░ iPad/iPhone рдХреЗ рд▓рд┐рдП Google Play рдХрд┐рддрд╛рдмреЗрдВ рдРрдкреНрд▓рд┐рдХреЗрд╢рди рдЗрдВрд╕реНрдЯреЙрд▓ рдХрд░реЗрдВ. рдпрд╣ рдЖрдкрдХреЗ рдЦрд╛рддреЗ рдХреЗ рд╕рд╛рде рдЕрдкрдиреЗ рдЖрдк рд╕рд┐рдВрдХ рд╣реЛ рдЬрд╛рддрд╛ рд╣реИ рдФрд░ рдЖрдкрдХреЛ рдХрд╣реАрдВ рднреА рдСрдирд▓рд╛рдЗрди рдпрд╛ рдСрдлрд╝рд▓рд╛рдЗрди рдкрдврд╝рдиреЗ рдХреА рд╕реБрд╡рд┐рдзрд╛ рджреЗрддрд╛ рд╣реИ.
рд▓реИрдкрдЯреЙрдк рдФрд░ рдХрдВрдкреНрдпреВрдЯрд░
рдЖрдк рдЕрдкрдиреЗ рдХрдВрдкреНрдпреВрдЯрд░ рдХреЗ рд╡реЗрдм рдмреНрд░рд╛рдЙрдЬрд╝рд░ рдХрд╛ рдЙрдкрдпреЛрдЧ рдХрд░рдХреЗ Google Play рдкрд░ рдЦрд░реАрджреА рдЧрдИ рдСрдбрд┐рдпреЛ рдХрд┐рддрд╛рдмреЗрдВ рд╕реБрди рд╕рдХрддреЗ рд╣реИрдВ.
eReaders рдФрд░ рдЕрдиреНрдп рдбрд┐рд╡рд╛рдЗрд╕
Kobo рдИ-рд░реАрдбрд░ рдЬреИрд╕реА рдИ-рдЗрдВрдХ рдбрд┐рд╡рд╛рдЗрд╕реЛрдВ рдкрд░ рдХреБрдЫ рдкрдврд╝рдиреЗ рдХреЗ рд▓рд┐рдП, рдЖрдкрдХреЛ рдлрд╝рд╛рдЗрд▓ рдбрд╛рдЙрдирд▓реЛрдб рдХрд░рдХреЗ рдЙрд╕реЗ рдЕрдкрдиреЗ рдбрд┐рд╡рд╛рдЗрд╕ рдкрд░ рдЯреНрд░рд╛рдВрд╕рдлрд╝рд░ рдХрд░рдирд╛ рд╣реЛрдЧрд╛. рдИ-рд░реАрдбрд░ рдкрд░ рдХрд╛рдо рдХрд░рдиреЗ рд╡рд╛рд▓реА рдлрд╝рд╛рдЗрд▓реЛрдВ рдХреЛ рдИ-рд░реАрдбрд░ рдкрд░ рдЯреНрд░рд╛рдВрд╕рдлрд╝рд░ рдХрд░рдиреЗ рдХреЗ рд▓рд┐рдП, рд╕рд╣рд╛рдпрддрд╛ рдХреЗрдВрджреНрд░ рдХреЗ рдирд┐рд░реНрджреЗрд╢реЛрдВ рдХрд╛ рдкрд╛рд▓рди рдХрд░реЗрдВ.

рд╕реАрд░реАрдЬрд╝ рдЬрд╛рд░реА рд░рдЦреЗрдВ

Gustave Flaubert рдХреА рдУрд░ рд╕реЗ рдЬрд╝реНрдпрд╛рджрд╛

рдорд┐рд▓рддреА-рдЬреБрд▓рддреА рдИ-рдмреБрдХ