In Bavaria: Mansfield Selections

Katherine Mansfield

2013년 10월 · Penguin Random House New Zealand Limited

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Ten stories from the ‘brilliant’ Katherine Mansfield set in Bavaria. As Vincent O’Sullivan states, those encountering Mansfield’s stories for the first time have invariably found they ‘were alive, they were witty, they were moving, they covered new ground’. But with about 70 stories to choose from and a vast array of themes and approaches, where do you start, and how do you begin to understand and best appreciate her writing and achievements? This series features selections of her best stories, grouped by subject and introduced by Mansfield scholar Vincent O’Sullivan, who is also a writer of fiction in his own right. Each volume offers a different way to view Mansfield’s work. This selection includes the most significant stories that she wrote about her time spent in Bavaria. As O'Sullivan explains, his choices cover ‘everything of importance that happened to her, that she observed and experienced, between childhood in Wellington’s wooden houses, to her deciding in Switzerland in July 1922, that her final paragraph about a singing bird was the place for her to stop’. Other titles in the MANSFIELD SELECTIONS series: Marriage & Families: ISBN 978-1-77553-501-0 New Zealand Stories: ISBN 978-1-77553-500-3 Sex & Lies: ISBN 978-1-77553-499-0 Women Alone: ISBN 978-1-77553-502-7

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Katherine Mansfield, short-story writer and poet, was born Kathleen Mansfield Beauchamp in 1888 in Wellington. At 19, she left for the UK and became a significant Modernist writer, mixing with fellow writers such as Virginia Woolf, TS Eliot and DH Lawrence. She wrote five collections of short stories, the final one being published posthumously by her husband, the writer and critic John Middleton Murry, along with a volume of her poems and another of her critical writings, and subsequently there have been collections of her letters and journals. She died of tuberculosis at the age of 34 at Fontainebleau. Although New Zealand settings do feature in her works, she looked to European movements in writing and the arts for inspiration, and also wrote stories with a European setting. Virginia Woolf famously admitted that Mansfield was the only writer she was jealous of, and it is believed that conversations with Mansfield prompted Woolf to write Mrs Dalloway. Many writers in the 1930s, such as Christopher Isherwood and Aldous Huxley, consciously adopted her pioneering styles, and, along with DH Lawrence, used her character (she was called ‘a dangerous woman’) in their fiction. This parallel influence of her life as well as her literary voice has continued in such works as CK Stead’s novel Mansfield. The clarity and vividness of her pared-back writing lend it a timeless quality that continues to weave its magic with new readers. Roger Robinson writes that it took 50 years for ‘New Zealand imaginative writing to begin to engage with this complex presence in the country’s cultural history’ (The Oxford Companion to New Zealand Literature). Since then, Murry’s tireless efforts to establish Mansfield’s reputation have been built on by others, with much scholarly attention, and leading to the five-volume Letters, edited by Vincent O’Sullivan and Margaret Scott, and Anthony Alpers’ seminal biography. In 1959 the Katherine Mansfield Memorial Awards were established, and in 1970 the Mansfield Memorial Fellowship was created. Vincent O’Sullivan is an editor, poet, short story writer, novelist, playwright, essayist, academic and critic and has served as literary editor to the New Zealand Listener. Among other residencies and fellowships, O’Sullivan has held the Katherine Mansfield Memorial Fellowship in Menton, France, and has won numerous literary prizes throughout his distinguished career, including several Montana Book Awards. In 2000, he was made a Distinguished Companion of the New Zealand Order of Merit. He is a graduate of the University of Auckland and Oxford University, and has lectured at Victoria University of Wellington and the University of Waikato. In 1997, he became Director of Victoria University’s Stout Research Centre, and is now Emeritus Professor of English. In 2004 he was awarded the Creative New Zealand Michael King Writer’s Fellowship, and 2006 he received the Prime Minister's Award for Literary Achievement. Known for his powerful intellect, and the broad range of his writing, O’Sullivan has also earned international acclaim as the joint editor, with Margaret Scott, of the five-volume Letters of Katherine Mansfield.