In the Penal Colony
lut 2011 · Penguin UK
4,7star
6 opiniireport
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'The condemned man looked so doggishly submissive, it really seemed as if one might allow him to roam the slopes freely, and only needed to whistle when it was time for the execution, and he would come.'
Kafka transformed the possibilities of the short story, his unique imagination giving his dark tales a sense of dream-like logic and unreality, in which their horrors are humorous and unease pervades. In these two stories, a traveller is shown the workings of an elaborate machine with a bloody purpose, and a son awakens unimagined resentments in his father.
This book includes In the Penal Colony and The Judgement.
Kafka transformed the possibilities of the short story, his unique imagination giving his dark tales a sense of dream-like logic and unreality, in which their horrors are humorous and unease pervades. In these two stories, a traveller is shown the workings of an elaborate machine with a bloody purpose, and a son awakens unimagined resentments in his father.
This book includes In the Penal Colony and The Judgement.
Oceny i opinie
4,7
6 opinii
O autorze
Franz Kafka (Author)
Franz Kafka (1883-1924) was born of Jewish parents in Prague. Several of his story collections were published in his lifetime and his novels, The Trial, The Castle and Amerika, were published posthumously by his editor Max Brod.
Michael Hofmann (Translator)
Michael Hofmann is a poet and translator from the German. For Penguin he has translated four books by Hans Fallada, in addition to works by Franz Kafka, Ernst Jünger, Irmgard Keun and Jakob Wassermann.
Franz Kafka (1883-1924) was born of Jewish parents in Prague. Several of his story collections were published in his lifetime and his novels, The Trial, The Castle and Amerika, were published posthumously by his editor Max Brod.
Michael Hofmann (Translator)
Michael Hofmann is a poet and translator from the German. For Penguin he has translated four books by Hans Fallada, in addition to works by Franz Kafka, Ernst Jünger, Irmgard Keun and Jakob Wassermann.
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