Inner Landscape: Poems
2014년 12월 · Open Road Media
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A strong-willed and emotional collection hidden under a well-groomed landscape of words
With her debut collection of poems, Encounter in April, May Sarton made an incredible splash in the world of poetry. Her work is impossible to imitate: a mix of stately verse and depth of emotion that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet.
With Inner Landscape, Sarton beckons us forth while eluding easy understanding, in a volume that brilliantly walks the line between enticing and satisfying.
With her debut collection of poems, Encounter in April, May Sarton made an incredible splash in the world of poetry. Her work is impossible to imitate: a mix of stately verse and depth of emotion that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet.
With Inner Landscape, Sarton beckons us forth while eluding easy understanding, in a volume that brilliantly walks the line between enticing and satisfying.
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May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
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