Into Temptation
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Power, politics and closely guarded secrets abound in the epic INTO TEMPTATION, the third and final novel of Sunday Times bestselling author Penny Vincenzi's Spoils of Time trilogy. 'Like an illicit lover, I have been sloping off all week to snatch another hour's pleasure with ... Penny Vincenzi's terrific new novel' Jilly Cooper
The Lytton family past is full of secrets, and only Lady Celia knows them all. There's her daughter Adele's difficult, dark past; the dreadful cruelty of a truth her son Kit had to confront; even the shadows of Celia's own life, and that of Barty Miller, the child she rescued from the slums in babyhood who now owns more than half of the Lytton publishing house. Some secrets are more dangerous than others, some shared with Celia's family, some entirely her own. And all absolutely safe in her keeping. Until something threatens to reveal them all...
The Lytton family past is full of secrets, and only Lady Celia knows them all. There's her daughter Adele's difficult, dark past; the dreadful cruelty of a truth her son Kit had to confront; even the shadows of Celia's own life, and that of Barty Miller, the child she rescued from the slums in babyhood who now owns more than half of the Lytton publishing house. Some secrets are more dangerous than others, some shared with Celia's family, some entirely her own. And all absolutely safe in her keeping. Until something threatens to reveal them all...
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Penny Vincenzi, who died in 2018, was one of the UK's best-loved and most popular authors. Since her first book, Old Sins, was first published in 1989, she went on to write sixteen more bestselling novels and two collections of stories. She began her career as a junior secretary for Vogue magazine and went on to work at The Daily Mirror, Tatler, and later as a Fashion and Beauty Editor on magazines such as Woman's Own, Nova and Honey, before becoming a Deputy Editor of Options and Contributing Editor of Cosmopolitan. Over seven million copies of Penny's books have been sold worldwide and she is universally held to be the 'doyenne of the modern blockbuster' (Glamour).
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