The Essential Science Fiction Television Reader

· University Press of Kentucky
4.3
3 reviews
Ebook
368
Pages
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About this ebook

Once confined solely to literature and film, science fiction has emerged to become a firmly established, and wildly popular, television genre over the last half century. The Essential Science Fiction Television Reader provides insight into and analyses of the most important programs in the history of the genre and explores the breadth of science fiction programming. Editor J. P. Telotte and the contributors explain the gradual transformation of the genre from low-budget cinematic knockoffs to an independent and distinct televisual identity. Their essays track the dramatic evolution of early hits such as The Twilight Zone and Star Trek into the science fiction programming of today with its more recent successes such as Lost and Heroes. They highlight the history, narrative approaches, and themes of the genre with an inviting and accessible style. In essays that are as varied as the shows themselves, the contributors address the full scope of the genre. In his essay "The Politics of Star Trek: The Original Series," M. Keith Booker examines the ways in which Star Trek promoted cultural diversity and commented on the pioneering attitude of the American West. Susan George takes on the refurbished Battlestar Galactica series, examining how the show reframes questions of gender. Other essays explore the very attributes that constitute science fiction television: David Lavery's essay "The Island's Greatest Mystery: Is Lost Science Fiction?"calls into question the defining characteristics of the genre. From anime to action, every form of science fiction television is given thoughtful analysis enriched with historical perspective. Placing the genre in a broad context, The Essential Science Fiction Television Reader outlines where the genre has been, where it is today, and where it may travel in the future. No longer relegated to the periphery of television, science fiction now commands a viewership vast enough to sustain a cable channel devoted to the genre.

Ratings and reviews

4.3
3 reviews
A Google user
"...A particular strength of this volume is the judicious way in which Telotte and his contributors balance theoretical perspectives with a solid grounding in historical context. The tone is set by Telotte’s introductory chapter, mapping ‘The trajectory of science fiction television’, which provides a contextualized history of the genre’s emergence and development, highlighting key themes and landmark series, whilst also addressing some of the intellectual issues arising from the study of science fiction. He highlights a tension within science fiction studies between its status as a cultural artefact – science fiction ‘has simply become a text of choice for a postmodern world’ (p. 4) – and its relationship to the wider culture. Thus, on the one hand, science fiction is about the ideological construction of a future society that ‘often seem[s] less a continuation of our own historical circumstances than, to evoke one of the more popular series, a quantum leap to another history’ (p. 4). On the other hand, however, science fiction has often been understood as a vehicle for exploring the political and cultural anxieties of the time,from the Cold War in the 1950s to the post-millennial anxieties of the present. To this extent television science fiction has often been more immediate than science fiction cinema, providing ‘evidence of its growing importance as a tool of cultural deliberation and ideological exploration’ (p. 5)."
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About the author

J. P. Telotte, professor of literature, communication, and culture at the Georgia Institute of Technology, is the author or editor of numerous books.

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