Jazz Guitar Etudes

· Mel Bay Publications
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At first hearing, fingerstyle solo jazz guitar can be more than a little overwhelming. Melding together are improvised lead lines and chordal work and bass lines and rhythmics. Relax. Since you already play jazz with a pick, you are familiar with many of the musical elements used in fingerstyle jazz. It is just that it may not be obvious to you what, specifically, fingerstyle concepts and techniques are. That is exactly where this book begins.

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Alan de Mause performs, teaches, and manages his Guitar Power! Correspondence course in New York City. He has twelve jazz guitar music books to his credit and is a contributor to a variety of magazines like Just Jazz Guitar and Fingerstyle Guitar Magazine. He studied with Jim Hall, Jimmy Raney, Johnny Smith, Sal Salvador, Albert-Valdes Blain, Barry Galbraith, and William Matthews.

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