The Ultimate Weapon: Science Fiction Lengend

· Science Fiction Lengend Book 50 · VM eBooks
4.3
3 reviews
Ebook
118
Pages
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About this ebook

I

Patrol Cruiser "IP-T 247" circling out toward Pluto on leisurely inspection tour to visit the outpost miners there, was in no hurry at all as she loafed along. Her six-man crew was taking it very easy, and easy meant two-man watches, and low speed, to watch for the instrument panel and attend ship into the bargain.

She was about thirty million miles off Pluto, just beginning to get in touch with some of the larger mining stations out there, when Buck Kendall's turn at the controls came along. Buck Kendall was one of life's little jokes. When Nature made him, she was absentminded. Buck stood six feet two in his stocking feet, with his usual slight stoop in operation. When he forgot, and stood up straight, he loomed about two inches higher. He had the body and muscles of a dock navvy, which Nature started out to make. Then she forgot and added something of the same stuff she put in Sir Francis Drake. Maybe that made Old Nature nervous, and she started adding different things. At any rate, Kendall, as finally turned out, had a brain that put him in the first rank of scientists—when he felt like it—the general constitution of an ostrich and a flair for gambling.

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4.3
3 reviews

About the author

John Wood Campbell, Jr. (June 8, 1910 – July 11, 1971) was an American science fiction writer and editor. As editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death, he is generally credited with shaping the Golden Age of Science Fiction.

Isaac Asimov called Campbell "the most powerful force in science fiction ever, and for the first ten years of his editorship he dominated the field completely."

As a writer, Campbell published super-science space opera under his own name and moody stories under his primary and most famous pseudonym, Don A. Stuart. Campbell also wrote under the pen names Karl Van Kampen and Arthur McCann. He stopped writing fiction after he became editor of Astounding.

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