關於這本電子書
A fascinating journal written after the creation of Derek Jarman’s The Last of England, covering the making of the film itself and the origins of its deeply autobiographical content.
In 1986 Derek Jarman started filming The Last of England, one of his most original and innovative films. It is also his most personal work, with the strongest autobiographical content. Shortly after filming began Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. Jarman writes of his extraordinary childhood and his kleptomaniac father; the process by which he came to terms with his sexuality; his early work as painter and designer; and finally his debut as a film director. Throughout, however, the reader will follow Jarman at his most fervent, as he writes of the corruption of the cinema industry, of the moral and personal consequences of the AIDS virus, and of the evils of Thatcher's Britain.
In 1986 Derek Jarman started filming The Last of England, one of his most original and innovative films. It is also his most personal work, with the strongest autobiographical content. Shortly after filming began Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. Jarman writes of his extraordinary childhood and his kleptomaniac father; the process by which he came to terms with his sexuality; his early work as painter and designer; and finally his debut as a film director. Throughout, however, the reader will follow Jarman at his most fervent, as he writes of the corruption of the cinema industry, of the moral and personal consequences of the AIDS virus, and of the evils of Thatcher's Britain.
關於作者
Derek Jarman was born in London in 1942. His career spanned decades and genres, from painter, theatre designer, director, film maker, to poet, writer, campaigner and gardener. His features include Sebastiane (1976), Jubilee (1978), Caravaggio (1986), The Last of England (1987), Edward II (1991) and Blue (1993). His paintings – for which he was a Turner Prize nominee in 1986 – continue to be exhibited worldwide, and his garden in Dungeness remains a site of pilgrimage to fans and newcomers alike.
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