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āļ„āļ°āđāļ™āļ™āđāļĨāļ°āļĢāļĩāļ§āļīāļ§āđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĒāļ·āļ™āļĒāļąāļ™  āļ”āļđāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ

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The Day Gabriel Chrome, a failed book sculptor contemplating suicide on the Thames Embankment, stumbled on the suicide bid of the naked Camilla Greylaw, was a day of hopeful redemption for a corrupt and violent world.

For the lovely form that he chanced to preserve was the sole carrier of a contagious venereal disease. A bug which could inhibit the aggressive instinct, rendering total placidity in all humans.

At once Gabriel's life has new meaning and purpose. To save mankind becomes his hardened ambition. But mankind seems far from hope.

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđāļ•āđˆāļ‡

Edmund Cooper (1926 - 1982)
Edmund Cooper was born in Cheshire in 1926. He served in the Merchant navy towards the end of the Second World War and trained as a teacher after its end. He began to publish SF stories in 1951 and produced a considerable amount of short fiction throughout the '50s, moving on, by the end of that decade, to the novels for which he is chiefly remembered. His works displayed perhaps a bleaker view of the future than many of his contemporaries', frequently utilising post-apocalyptic settings. In addition to writing novels, Edmund Cooper reviewed science fiction for the Sunday Times from 1967 until his death in 1982.

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āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ Edmund Cooper

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