Divided into five parts—“New meanings, new methods”, “Re-contextualising cinema and television history”, “Rethinking histories of cinema and television”, “Rethinking history through cinema and television”, and “The impact of new technologies”—the book is knowingly broad and diverse in terms of the case studies featured within it, and the means through which these examples are examined, explored, and utilised in their respective chapters.
Johnny Walker is a Lecturer in Media at Northumbria University. He has published articles in journals such as the Journal of British Cinema and Television, and he is the author of Contemporary British Horror Cinema: Industry, Genre and Society (Edinburgh University Press, 2015) and co-editor of Snuff: Real Death and Screen Media (Bloomsbury, 2015).