Little Boy Lost
korr 2014 · Hachette UK
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'My favourite American crime-writer' New York Herald Tribune
Twenty years ago the five-year-old Traxler heir was kidnapped from his Hollywood home and never seen again. Now his widowed mother is overjoyed when a plausible young man claims to be her long-lost son, a claim supported by accurate childhood memories. Mrs Traxler accepts him unconditionally, and when her niece Charlotte dares to question him, she is cut out of the will.
Charlotte turns to Jesse Falkenstein, who is soon as suspicious of the man's claim as she is. After launching an intense investigation, one lead after another falls flat - and even the original kidnapper refuses to talk . . .
Twenty years ago the five-year-old Traxler heir was kidnapped from his Hollywood home and never seen again. Now his widowed mother is overjoyed when a plausible young man claims to be her long-lost son, a claim supported by accurate childhood memories. Mrs Traxler accepts him unconditionally, and when her niece Charlotte dares to question him, she is cut out of the will.
Charlotte turns to Jesse Falkenstein, who is soon as suspicious of the man's claim as she is. After launching an intense investigation, one lead after another falls flat - and even the original kidnapper refuses to talk . . .
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In her 67 years, California author Elizabeth Linington wrote 82 crime fiction novels, under her own name as well as the aliases Anne Blaisdell, Lesley Egan, Egan O'Neill and Dell Shannon. Her writing evolved from the early radio and stage dramas, via historical narratives, to her most celebrated novels - mysteries. She was nominated for Edgars in 1961, 1962 and 1963 for Case Pending, Nightmare and Knave of Hearts respectively. Her most successful creation, debonair LAPD Lieutenant Luis Mendoza, broke new ground in being one of the first Latino police officers in the procedural genre, and Linington herself was a pioneer in a male-dominated industry, earning the moniker 'Queen of the Procedurals'.
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