Lying Prophets: England Literature
Eden Phillpotts
tammi 2016 · England Literature Kirja 16 · 谷月社
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Away beyond the village stands a white cottage with the sea lapping at low cliffs beneath it. Plum and apple orchards slope upward behind this building, and already, upon the former trees, there trembles a snowy gauze where blossom buds are breaking. Higher yet, dark plowed fields, with hedges whereon grow straight elms, cover the undulations of a great hill even to its windy crest, and below, at the water line, lies Newlyn—a village of gray stone and blue, with slate roofs now shining silver-bright under morning sunlight and easterly wind. Smoke softens every outline; red-brick walls and tanned sails bring warmth and color through the blue vapor of many chimneys; a sun-flash glitters at this point and that, denoting here a conservatory, there a studio. Enter this hive and you shall find a network of narrow stone streets; a flutter of flannel underwear, or blue stockings, and tawny garments drying upon lines; little windows, some with rows of oranges and ginger-beer bottles in them; little shops; little doors, at which cluster little children and many cats, the latter mostly tortoise-shell and white. Infants watch their elders playing marbles in the roadway, and the cats stretch lazy bodies on the mats, made of old fishing-net, which lie at every cottage door. Newlyn stands on slight elevations above the sea level, and at one point the road bends downward, breaks and fringes the tide, leading among broken iron, rusty anchors, and dismantled fishing-boats, past an ancient buoy whose sides now serve the purposes of advertisement and tell of prayer-meetings, cheap tea, and so forth.
Away beyond the village stands a white cottage with the sea lapping at low cliffs beneath it. Plum and apple orchards slope upward behind this building, and already, upon the former trees, there trembles a snowy gauze where blossom buds are breaking. Higher yet, dark plowed fields, with hedges whereon grow straight elms, cover the undulations of a great hill even to its windy crest, and below, at the water line, lies Newlyn—a village of gray stone and blue, with slate roofs now shining silver-bright under morning sunlight and easterly wind. Smoke softens every outline; red-brick walls and tanned sails bring warmth and color through the blue vapor of many chimneys; a sun-flash glitters at this point and that, denoting here a conservatory, there a studio. Enter this hive and you shall find a network of narrow stone streets; a flutter of flannel underwear, or blue stockings, and tawny garments drying upon lines; little windows, some with rows of oranges and ginger-beer bottles in them; little shops; little doors, at which cluster little children and many cats, the latter mostly tortoise-shell and white. Infants watch their elders playing marbles in the roadway, and the cats stretch lazy bodies on the mats, made of old fishing-net, which lie at every cottage door. Newlyn stands on slight elevations above the sea level, and at one point the road bends downward, breaks and fringes the tide, leading among broken iron, rusty anchors, and dismantled fishing-boats, past an ancient buoy whose sides now serve the purposes of advertisement and tell of prayer-meetings, cheap tea, and so forth.
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Eden Phillpotts (4 November 1862 – 29 December 1960) was an English author, poet and dramatist. He was born in Mount Abu, British India, educated in Plymouth, Devon, and worked as an insurance officer for 10 years before studying for the stage and eventually becoming a writer.
He co-wrote two plays with his daughter Adelaide Phillpotts, The Farmer's Wife (1924) and Yellow Sands (1926); but is best known as the author of many novels, plays and poems about Dartmoor. His Dartmoor cycle of 18 novels and two volumes of short stories still has many avid readers despite the fact that many titles are out of print.
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