This book endeavors to return to the mainstream material
long marginalized as a result of historical and ideological biases of the
intervening centuries. The author analyzes how luxury arts went from being
lofty markers of ascendancy and discernment in the Renaissance to being
dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich
unworthy of the status of Art. Then, by re-examining the objects themselves and
their uses in their day, she shows how sumptuous creations constructed the
world and taste of Renaissance women and men.