Maritime Poetics: From Coast to Hinterland

¡ Edition Kulturwissenschaft āļ´āˇœāļ­ 219 ¡ transcript Verlag
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216
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āļ‡āļœāļēāˇ“āļ¸āˇŠ āˇƒāˇ„ āˇƒāļ¸āˇāļŊāˇāļ āļą āˇƒāļ­āˇŠâ€āļēāˇāļ´āļąāļē āļšāļģ āļąāˇāļ­Â āˇ€āˇāļŠāˇ’āļ¯āˇ”āļģ āļ¯āˇāļą āļœāļąāˇŠāļą

āļ¸āˇ™āļ¸ āļ‰-āļ´āˇœāļ­ āļœāˇāļą

In the past fifty years, port cities around the world have experienced considerable changes to their morphologies and their identities. The increasing intensification of global networks and logistics, and the resulting pressure on human societies and earthly environments have been characteristic of the rise of a Âģplanetary ageÂĢ. This volume engages with contemporary artistic practices and critical poetics that trace an alternate construction of the imaginaries and aspirations of our present societies at the crossroads of sea and land – taking into account complex pasts and interconnected histories, transnational flux, as well as material and immaterial borders.

āļšāļģāˇŠāļ­āˇ˜ āļ´āˇ’āˇ…āˇ’āļļāļŗ

Gabriel N. Gee holds a PhD in contemporary art history from the UniversitÊ Paris X Nanterre. He teaches contemporary art history and theory at Franklin University. His current research interests include twentieth century British and Irish art, the changing representations and imaginaries of port cities, as well as interconnected global histories. He is co-founder of the TETI group, for Textures and Experiences of Trans-Industriality (www.tetigroup.org.) Caroline Wiedmer holds a PhD in comparative literature from Princeton University. She teaches comparative literature, film studies, and cultural studies at Franklin University. Her research interests include memory studies, refugee studies, documentary film, environmental humanities, law and culture, spatiality, and the workings of narrative in multiple domains of cultural, legal, and intellectual life.

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