Peter's room was close under the roof and that was close under the elm boughs; all hours he could hear them finger it with soft rustling touches. The bed was pulled to the window that gave upon the downslope of the hill; at the foot of it one saw the white bloom-faces of the alders lift and bow above the folded leaves, and the rising of the river damp across the pastures. All the light reflected from the sky above Bloombury wood was no more than enough to make a glimmer on the glass of a picture that hung at the foot of Peter's bed. It served to show the gilt of the narrow frame and the soft black of the print upon which Peter had looked so many times that he thought now he was still seeing it as he lay staring in the dusk—a picture of a young man in bright armour with loosened hair, riding down a particularly lumpy and swollen dragon. Flames came out of the creature's mouth in the immemorial fashion of dragons, but the young man was not hurt by them. He sat there lightly, his horse curvetting, his lance thrust down the dragon's throat and coming out of the back of his head, doing a great deed easily, the way people like to think of great things being done. It was a very narrow picture, so narrow that you might think that it had something to do with the dragon's doubling on himself and the charger's forefeet being up in the air to keep within the limits of the frame, and the exclusion from it of the Princess whom, as his father had told him the story, the young knight George had rescued from those devouring jaws. It came out now, quite clearly, that she must have had cheeks as red as June apples and eyes like the pools of spring rain in Bloombury wood, and her not being there in the picture was only a greater security for her awaiting him at this moment in the House with the Shining Walls.