Mates in Chelsea
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But I do have a job. I'm a professional viscount.
Things aren't looking good for Theodore 'Tug' Bungay.
His mother, Lady Agrippina, has a plan to cut off his funds. His fed-up fiancÊe wants to drag him up the aisle. An oligarch is eyeing up his beloved Northumberland castle. Is Tug's dissolute life about to change completely? Or will he get to carry on doing exactly as he pleases without ever facing any consequences?
Rory Mullarkey's riotous new play takes inspiration from Wilde and Wodehouse to create a contemporary comedy of manners set among the dwellers of south-west London who â somehow â remain our country's ruling class. This edition is published to coincide with the world premiere at London's Royal Court Theatre, in November 2023.
Things aren't looking good for Theodore 'Tug' Bungay.
His mother, Lady Agrippina, has a plan to cut off his funds. His fed-up fiancÊe wants to drag him up the aisle. An oligarch is eyeing up his beloved Northumberland castle. Is Tug's dissolute life about to change completely? Or will he get to carry on doing exactly as he pleases without ever facing any consequences?
Rory Mullarkey's riotous new play takes inspiration from Wilde and Wodehouse to create a contemporary comedy of manners set among the dwellers of south-west London who â somehow â remain our country's ruling class. This edition is published to coincide with the world premiere at London's Royal Court Theatre, in November 2023.
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Rory Mullarkey's original plays include Pity, The Wolf from the Door (Royal Court Theatre), Saint George and the Dragon (Royal National Theatre), Each Slow Dusk (Pentabus Theatre/UK Tour), Cannibals, Single Sex (Royal Exchange, Manchester), The Grandfathers (National Theatre Connections, then Bristol Old Vic/National Theatre) and On the Threshing Floor (Heat & Light Company, Hampstead Theatre). His adaptations/translations include The Cherry Orchard by Anton Chekhov (Bristol Old Vic/Manchester Royal Exchange), The Oresteia by Aeschylus (Shakespeare's Globe) and Remembrance Day by Aleksey Scherbak (Royal Court). He has written the libretti for The Skating Rink by David Sawer (Garsington Opera), Coraline by Mark-Anthony Turnage (Royal Opera House) and The Way Back Home by Joanna Lee (ENO/Young Vic). He has won the Abraham Woursell Prize (co-winner 2017), the James Tait Black Prize for Drama (2014), the George Devine Award for Most Promising Playwright (co-winner, 2014), the Harold Pinter Commission for the Royal Court (2014) and the Pearson Bursary for the Royal Exchange, Manchester (2011).
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