It was a bright clear morning late in September, just one hundred and seventy-seven years ago, the year of the battle of Malplaquet, and the earth was so much the younger and fairer by all those years—innocent of railroads, speculating builders, gasworks, dust-destructors, sewage-farms, and telephones—a primitive world, almost in the infancy of civilisation as it seems to us, looking back upon those slow-pacing days from this age of improvement, invention, transmutation, and general enlightenment.
It was a year for ever memorable in history. The bloody battle of Malplaquet had but just been fought: a deluge of blood had been spilt, and another great victory scored by the allies, at a cost of twenty thousand slain. Brilliant as that victory had been, there were some who felt that Marlborough's glory was waning. He was no longer in the flush and floodtide of popularity. There were those who grudged him his well-won honours, his ducal coronet, and palace at Woodstock. There were those who feared his ambition, lest he should make himself a military dictator, a second Cromwell, or even aspire to the crown. If ever England seemed ripe for an elective monarchy or a republic, it was surely just at this critical period: when widowed, childless Anne was wavering in the choice of her successor, and when poor young Perkin, the sole representative of legitimate royalty, was the chosen subject for every libellous ballad and every obscene caricature of the day.
Very fair to look upon was Flamestead Common upon that September morning, purple with heather, flecked here and there with golden patches of the dwarf furze that flowers in the late summer, and with here and there a glistening water-pool. The place where the dead man lay, stretched on a bank of sunburnt moss and short tawny turf, was at the junction of four roads. First, the broad high-road from London to Portsmouth, stretching on like a silvery ribbon over hill and valley, right and left of the little group yonder—the dead man and the sleeping child, and the two living men looking down at them both, burly farmer in stout gray homespun, and his hind in smock-frock and leather gaiters, a costume that has changed but little within the last two hundred years.