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I have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out.
In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern.
As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City.
Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.
關於作者
Simon Stephens' plays include Fortune, Light Falls, Maria, Fatherland, Rage, Heisenberg, Nuclear War, Song from Far Away; Birdland, Carmen Disruption, Blindsided, Morning, Three Kingdoms, Wastwater, Punk Rock, The Trial of Ubu, Marine Parade, Sea Wall, Harper Regan, Pornography, Motortown, On the Shore of the Wide World, One Minute, Country Music, Christmas, Port, Herons and Bluebird. He has written English language versions of Jon Fosse's I Am the Wind; Odon Von Horvath's Kasimir and Karoline (titled The Funfair); Henrik Ibsen's A Doll's House; Anton Chekhov's The Cherry Orchard and The Seagull and Bertolt Brecht and Kurt Weill's Threepenny Opera. He has presented three series of the Royal Court Playwright's Podcast. His book A Working Diary is published by Methuen. He is currently an Associate Artist at the Lyric, Hammersmith, a Professor of Scriptwriting at Manchester Metropolitan University, and an Associate Professor at the Danish National School of the Performing Arts, Copenhagen.
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