Napoleonic Heavy Cavalry & Dragoon Tactics
juill. 2013 · Bloomsbury Publishing
Ebook
64
Pages
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À propos de cet ebook
During the Napoleonic Wars the supreme battlefield shock weapon was the heavy cavalry – the French cuirassiers, and their British, Austrian, Prussian and Russian counterparts. Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact. Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents. Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.
Quelques mots sur l'auteur
Philip Haythornthwaite is an internationally respected author and historical consultant specializing in the military history, uniforms and equipment of the 18th and 19th centuries. His main area of research covers the Napoleonic Wars. He has written 40 books, including more than 20 Osprey titles, and numerous articles and papers on military history – but still finds time to indulge in his other great passion, cricket.
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on the Aztecs, the Greeks, several 19th-century American subjects, and a number of books in the Fortress series. His work features in exhibitions and publications throughout the world.
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on the Aztecs, the Greeks, several 19th-century American subjects, and a number of books in the Fortress series. His work features in exhibitions and publications throughout the world.
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