It might be the case to affirm that, with No Degrees of Separation, Noga has written the post-post-modern version of Solomon's Song of Songs. As in that ancient text, one of the very first in erotic literature, Noga follows the delicate thread that unites the written word to eroticism. By alternating the voices of the two passionate lovers (Noga and Alan) in a dialogue that draws them near and intertwines them, but without ever confusing them (they never cease to mingle with each other, while successfully remaining themselves, a man and a woman, Noga and Alan, incessantly hungry for each other) she shows us how eroticism and the written word fertilize each other and are made consubstantial.