No Dust in the Attic
03.2014 г. · Hachette UK
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Всичко за тази електронна книга
Murder on the train - and the killer is looking for the next victim...
Classic crime from one of the greats of the Detection Club
On a fast train to London, Arthur Crook meets trouble with a capital T. During the journey one passenger disappears and is subsequently found dead beside the line. The killer has killed before and is preparing to kill again.
Soon, a girl in desperate circumstances finds herself at the hands of a criminal organisation - will Crook now step in as her salvation in this life-and-death chase?
Classic crime from one of the greats of the Detection Club
On a fast train to London, Arthur Crook meets trouble with a capital T. During the journey one passenger disappears and is subsequently found dead beside the line. The killer has killed before and is preparing to kill again.
Soon, a girl in desperate circumstances finds herself at the hands of a criminal organisation - will Crook now step in as her salvation in this life-and-death chase?
За автора
Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time. She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint. The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.
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